Tag Archives: Alcoholism

2015 TIFERET INTERVIEW with MELISSA STUDDARD: Part Two

Tiferet Journal is at the nexus of literature and spirituality. It publishes high-quality poetry, prose and art that further meaningful dialogue about what it is to be human and conscious in today’s often divisive world. The entire interview is in Tiferet Journal, Summer 2015 http://tiferetjournal.com/  

 

MS: Relationships with self, others, and environment are of extreme importance in Redemption. Can you tell our readers more about the relevance of relationship to Redemption 

IP: The book is a lyrical and moving tale of struggle, love, loss, transformation and hope. It reads like an extended prose poem reflecting the primal forces of nature and human nature. Its starkly gorgeous and remote island setting creates and reinforces the central themes of struggle, family, community and wonder at the beauty of the world, and its rich cast of characters offers numerous gripping interludes that brim with complex interpersonal drama. Relationships with people, land and sea skilfully brings this drama out. The story centers on and is always connected to Callum Mor – the epic main character – but he is surrounded and influenced by a fantastic cast of family and fellow islanders. They provide a deep well of material; their conflicts and intrigues move the plot forward and offer a vast array of powerfully emotional moments. The story arcs of other characters in the novel offer particularly beautiful and interesting counterpoints to one another and to Callum Mor. Their hopes, desires and difficulties intermingle in a realistic tapestry of human existence.

Redemption front cover

The narrative’s tone is generally quiet and introspective, but it is frequently punctuated by storms both literal and metaphorical. Callum Mor and his people face many conflicts throughout the story, from poverty, mental illness, unwanted pregnancy, and battles with nature itself – to sexual assault and violent physical confrontation. All of this provides the tapestry for the deeper, more subtle messages of compassion and faith to carefully unfold.

MS: Anita Rizvi calls Redemption “a riveting novel chronicling one man’s journey through the stages of innocence, darkness, destruction and transformation.” She goes on to say, “What is so exquisite about this novel is the tenderness and honesty with which the author deals with the human condition . . . When Callum Mor’s journey moves him even closer to the abyss, the author refuses to ‘sanitize’ his experiences.”  Why was it important to you to remain true in your telling of the grittier and more difficult aspects of the story? 

IP: My preference is always to be authentic in my writing.  I do not always achieve this but in Redemption I am happy to convey that the switch is Full On. The grit, hardship and suffering are essential counterpoints to the manner in which Callum Mor stepped out of his self-destruction into a glimmer of awakening. The severity of the darkness he allowed to envelop himself actually punctuates his steps out of it. In Buddhism there is a profound one liner – “No Mud, No Lotus.” There was lots of Mud in Callum Mor’s evolution to awakening.

 

MS: You’ve had an absolutely fascinating life. In what ways has your life prepared you to become the writer you are today?

IP: My life as a global traveler certainly stretched my attention beyond any limits I could have placed on it. From teenage volunteering in Borneo with Britain’s Peace Corps to being a yogi in India and a Zen teacher in Canada – expansion of mind was inescapable. My challenging journey navigates shamanic healing of childhood sexual abuse, guru training as well as a near death experience in an ashram in India. From this vast range of experience I found an ability to sculpt narrative in a novel way. I certainly stumbled through the first part of life, but then stood strong in my own sovereignty in the latter part. In India, Arizona, France and Canada’s wilderness, I went to great lengths to transform karma. Over a period of thirty years, four extraordinary medicine people enhanced my process of remembering. I learned how to reconfigure my understanding of time, place, consciousness and re-write some of Carl Jung’s psychology. I chose to listen to the feminine voice of Earth Wisdom rather than to the multitude of competing voices in my deep unconscious.

In Trailing Sky Six Feathers for instance, readers may be inspired as they watch my intention and strength of purpose to transcend patterns carried since childhood. Past life memories collide head on with the present, all thanks to the Muse who refused to give up. Karma is reversed; the internal battles are over as I begin to live life as a Meditation for Gaia. The relentless shadowing by this engaging Muse brings understanding not only to me, but to anyone engaged in overcoming the darkness of their past. These books cap my long-term fascination with consciousness. As a Professor of Anthropology and Religion I taught courses on Ecology, Symbols, Engaged Buddhism and Meditation Systems. I am a healer, mentor and educator, able to encourage people through example to find their true nature so that humanity and the world may be renewed.

MS: One of the things we’re interested in at Tiferet is how spirituality and art can inform each other and serve similar roles for the individual and humanity as a whole. What would you consider to be the core tenets of your own spiritual practice, and how does your spiritual practice relate to your writing practice? Are there things you have learned from one practice that apply to the other?

IP: I am a Zen teacher, also a recognized guru in India. My initial task is to refine my own consciousness, so that I can be an authentic vehicle to chart a path for spiritual friends. This is through the creation of a meditation center – Pine Gate Mindfulness Community – and an activist spiritual vehicle – Friends for Peace Canada. Both based in Ottawa. Slowly but inevitably these vehicles are helping to change the nature of our northern city – thanks to the many groups and organizations (over 50) that are part of a loose coalition for change.  If I did not do this, then I could not write the way I do.

My 2014 books are screenplay-worthy epic tales that weave together seamlessly to create inspiration for a wide range of fellow spiritual seekers, environmentalists, generation X, feminists, students and academics alike. Global citizens are staring into the abyss –yet instead of being eaten up by it all, I say to them: “Awaken Spiritually,” for that transforms everything. We have made our world an unpredictable beast because we fail to work with it intelligently. Rumi’s wise words are cogent: “Sit down and be quiet. You are drunk and this is the edge of the roof.”  We have to take back control of ourselves and this is a spiritual matter. Turning on the switch of awakening seems to be a good idea right now. We just need to touch the sacred in ordinary experiences of life to find the courage and determination to transform.

Available at www.Amazon.com and www.BarnesandNoble.com   Autographed Book – Order Through: www.ianprattis.com

Melissa Studdard

Of her debut poetry collection, I Ate the Cosmos for Breakfast, Robert Pinsky writes, “This poet’s ardent, winning ebullience echoes that of God…” and Cate Marvin says her work “would have no doubt pleased Neruda’s taste for the alchemic impurity of poetry.” Melissa Studdard is an editor for American Microreviews and Interviews, hosts Tiferet Talk radio, and judges the monthly Goodreads ¡Poetry! Group contest. She is also the author of the novel, Six Weeks to Yehidah, and a collection of interviews, The Tiferet Talk Interviews. Her awards include the Forward National Literature Award and the International Book Award. Her poetry, fiction, essays, reviews and articles have appeared in a wide range of publications, including Pleiades, Poets & Writers, Tupelo Quarterly, Psychology Today, and Connecticut Review. Learn more at www.melissastuddard.com

Melissa Studdard

 

Melancholy Memory, Brilliant Book

Maricel Alacantra wrote the two blogs below for my publisher – Xlibris. This was after Redemption: A Novel received the Gold Medal in Fiction at the 2015 Florida Book festival. Well worth the clicks!

http://blog.xlibris.com/author-blogs/ian-prattis-1/

http://blog.xlibris.com/author-blogs/ian-prattis-2/

Redemption front cover

Hollywood Treatment for Redemption – Gold Winner Book.

Title: Redemption, Author: Ian Prattis, Genre: Drama, Setting: The Hebrides Islands, Scotland, Pages: 138, Period: Mid-20th century, Best Medium for Adaptation: Feature Film X

Logline:

A Scottish islander with the tumultuous soul of a poet battles through tragedy and triumph in his search for true peace.

Brief Summary:

Callum Mor Martin lives on a quiet island in the Hebrides of western Scotland in the early and middle years of the twentieth century. He grows from a fey and precocious five-year-old to a grizzled man in his sixties, and experiences the numerous and often tragic fates of his family and fellow villagers. Callum Mor’s father, a gentle soul who dreams of being a writer, struggles with the unforgiving land to provide enough for his family. He is eventually broken in mind and spirit. Calllum Mor’s sister is driven into an unhappy marriage by their poverty, and his brother is murdered by the man he once considered his best friend. Callum Mor’s dreams of leaving the island to become a writer are dashed by his devotion to his aging mother, and he instead becomes a sturdy fisherman. He tries and fails to win the hand of his beloved, and spends many years as a suicidal embittered drunk. In the end, he is drawn out of his self-imposed exile by a small Glaswegian family who offer him unconditional love and understanding. Although the family is driven off of the island by the cruel machinations of a corrupt businessman, Callum Mor’s spirit is renewed, and he abides in peace, anticipating their return.

Redemption front cover

Synopsis:

In a tiny fishing village on one of the islands of the Hebrides, ten-year-old CALLUM MOR MARTIN steals away from school to join his uncle MICHAEL and OLD ANGUS on their boat as they fish for lobster. Unbeknownst to Callum, his teacher, MISS RACHEL MACDOUGALL, sees him escape and smiles to herself, unwilling to force him to stay in the classroom on such a beautiful day. Callum has a quiet, rare way about him that draws others and makes them want to share their time and tales with him; even gruff old Angus feels a tenderness towards the boy as they break from hauling up lobster creels to share sandwiches. Later in the day, Callum Mor returns home to regale his family with the story of his day. His mother ANNIE, sister MOIRA and brother DONALD dance and play music with him, sharing a joy not often seen in their hardscrabble home. The neighbor COLIN MCFADGEN stops by to join the warmth and merriment, and soon a procession of friends and neighbors arrive bearing music, poetry and whiskey, and a party is in full swing. Early the next morning, Callum Mor’s father ANDREW MARTIN returns home from the pub and smiles to see the remains of the party.

Five years earlier, Andrew works as a crewman on a cargo freighter. Away from home for three-quarters of the year, he aches to spend more time with his family and treasures even the smallest moments at home. However, the Martin’s croft isn’t rich enough to support the family, so he must work away from home. He remembers a beautiful day when the entire family works cutting peat for the winter; afterward, they eat and then bathe in the surf. Andrew knows he can no longer bear to be apart from his wife and children. He gives up his job and struggles to eke out a better existence on their homestead. The land is harsh, and Andrews turns to drink to quiet the desperation in his heart. In the present, Annie greets him, sweetly and sadly.

Several years later, fourteen-year-old Callum Mor is showing Miss MacDougall his friend – a playful young otter. Callum has watched the otter for three months, acclimating the inquisitive creature to his presence and describing him in his writing. Miss MacDougall sees a creative spark in Callum Mor and encourages it in every way she can, including hiking out across the island with Callum Mor to see the otter for herself. On his way home, Callum Mor stops in to see old Colin, who warns that salmon poachers often fish in the mouth of the otter’s loch.

Returning home, Callum Mor passes the still, silent figure of his father, slumped as always in a threadbare chair in front of the fire. Callum Mor’s memory turns to the days of his father’s downfall. Desperate at his inability to claw a living from the land, Andrew at last convinces Annie to sell one of her cows to build a coop and buy laying hens to sell eggs. He works with renewed energy at constructing the coop and installing the bedraggled hens. The same night the coop is completed, a storm blows in and tears the roof away. The entire family runs out into the teeth of the storm to re-secure the roof, aghast at the intensity of Andrew’s fury as he spits epithets at the sky. At last, the storm abates and Annie goes to clean her husband’s bloody and battered hands, but he shoves her down in a blind rage. Soon afterwards, the fury drains from him, and he stands looking at the shambles of the chicken coop. Annie leads him inside and installs him on the chair before the fire, where he remains. Annie tries to find help, but she is told that his mind is broken.

Despite this tragedy, the poultry business is successful and through Annie’s tireless efforts brings in enough money to keep the family afloat. Moira leaves the islands as soon as she’s able and loses touch with the family, while Donald joins the merchant navy. He has just returned a week ago for his first shore leave, and hasn’t been able to accept that his father is still sick. Back in the present, Callum Mor goes to bed with a prayer for his father on his lips. Sometime later, Donald returns home from the pub and stands before his silent father. He unleashes a drunken tirade of rage and abuse. Callum Mor and Annie rush out to calm Donald, and find that Andrew has died during the night. Later that year, Donald returns home again, bearing news that Moira has married a middle-aged insurance company manager and is living comfortably in Glasgow. She receives Donald coldly when he goes to visit her. Callum Mor’s bond with the otter has deepened, and he spends many hours watching the lively creature frolic and play. One evening, he tracks the otter out to the ocean shore, where he notices a dinghy gill netting; these are the poachers Colin warned him about. He spots the otter and is at first overjoyed, but the animal does not stir when he approaches, and he sees that its neck has been broken. He runs in a rage towards a poacher standing on the shore and attacks the large man, whom he later learns is called BRETT MACVICKER. One of the men on the boat stops Brett from beating Callum Mor: it is Donald, his brother. They take Callum Mor on board and move away from the beach to avoid capture by the constables and gamekeepers. Brett’s sympathy for the boy’s sadness is such that he orders Donald and the OTHER POACHER to turn around and retrieve the otter’s body. They bury the otter at sea, and explain that its death was an accident when it was caught in the nets. Later, Brett arrives at the Martin croft with a puppy for Callum Mor.

In the following months, Brett becomes a role model for the boy. He teaches him to fish and hunt all over the islands. Annie and Miss MacDougall are both distrustful of the dangerous Brett, and warn Callum Mor and Donald about him. Despite her misgivings, Miss MacDougall is lured by Brett to a party at his home, where he seduces her. Although she initially consents, he physically batters and emotionally degrades her, and the seduction becomes something akin to rape. She leaves bruised and disgusted. Donald finds her on the path home and returns to Brett’s home to attack him. In the brawl, Brett’s home is set alight. Brett lets the place burn because he wants to leave Scotland for good. He warns Donald that someday he will hunt him down and kill him. Later that year, Miss MacDougall tells Callum Mor that she’s getting married to an EDINBURGH NEWSPAPER EDITOR and he’ll have a job with the paper and place to live if he wants to leave. He’s overjoyed at the prospect but stays with frail Annie, unwilling to leave her all alone. Instead, he joins his Uncle Michael’s herring boat crew and grows to be a strong young man and one of the most skilled fishermen in the islands. During this time, Brett tracks Donald down in Montreal and strangles him, and is in turn hung for murder.

At twenty-two, Callum Mor fosters a relationship with Colin’s niece CATRIONA and impregnates her. He wants to marry her, but she refuses, fearing he doesn’t truly love her. She travels to Glasgow and has an abortion. Callum Mor tries to reconcile with her, but she leaves the island and his life. He doesn’t tell anyone about Catriona but he is changed for the worse and begins a long slide into depression. His decline reaches its nadir when he returns home one day from fishing to find Annie slumped by the gate, having died peacefully of a stroke. Callum Mor explodes in a despairing rage and begins to drink heavily. He continues to drink himself into oblivion every night for many years, throwing away his previous life. He rows out into bad weather to fish, challenging the ocean to finish him off. Callum Mor’s boat is swallowed but he washes ashore unhurt. Several decades later, a grizzled fifty-eight year-old Callum Mor is alone in his messy house. His drinking days are done, but he leads a simple, rough existence. He has avoided almost all contact with the outside world until the day his long-estranged sister Moira comes to see him. She and Callum Mor reconcile their differences. Moira is accompanied by her devious stepson JOHN MENZIE, who wants to buy part of the Martin land to build a shellfish factory. Callum Mor perceives that Menzies is driven by greed, not a desire to help the struggling economy of the island, and he refuses to sell the land.

Later that year, Callum Mor is disturbed by a knock on his door. A young hiker called TOM HAGEN is seeking shelter for his family from a storm. Callum Mor is reluctant but feels pity for Tom’s wife SIAN and their young daughter CATHERINE. He lets them stay the night and swiftly bonds with the family, emerging from his self-imposed isolation. They invite him to visit their home outside Glasgow that winter. When Catherine is lost in the hills during a sudden snowstorm, Callum Mor finds her and saves her from hypothermia. The family purchases a home on the island from John Menzie. Despite Callum Mor’s warnings to not trust John, Tom makes only a gentleman’s agreement on the ownership of the home, and Menzie arrives shortly to evict the Hagens. Callum Mor offers to help the Hagens build a home for themselves on his land, and they are overjoyed. Frustration soon sets in because Menzie and his ally, REVEREND MOYNIHAN, use their contacts to spread distrust of the newcomers. The Hagens return to Glasgow, despite Callum Mor’s assertion that the people of the island will regain their compassion over time. As he watches the ferry depart, carrying his newfound family away, Callum Mor is calm with the certainty that they will return. In the following weeks and months, one by one, the people of the island remember themselves and contribute to the construction of the home, moved by the quiet, ephemeral power of Callum Mor’s love and hope.

 

Excellent X

Good

Fair

Development Needed

Concept

Story X

Characters X 

Comments/Suggestions for Adaptation:

REDMPTION is a lyrical and moving tale of struggle, love, loss, transformation and hope. Its starkly gorgeous and remote island setting creates and reinforces the central themes of struggle, family, community and wonder at the beauty of the world, and its rich cast of characters offers numerous gripping interludes that brim with complex interpersonal drama. The book is short, but there is more than enough material here for a satisfying full-length film adaptation. If handled with the same care and grace as the novel, a film could be highly successful. The novel’s period and setting deftly capture a rural way of life that is rapidly vanishing from the western world; one ever present theme is that of economic hardship and encroaching industrialization versus the wild, natural beauty of the islands. If budget restrictions are required, a contemporary version of the story would not require major changes so long as those elements are carefully preserved. However, an adaptation would be best served by maintaining the mid-century trappings, which lend authenticity and the nostalgic mystique of a childhood forever lost.

The story centers on and is always connected to Callum Mor, but he is surrounded and influenced by a fantastic cast of family and fellow islanders. They provide a deep well of material; their conflicts and intrigues move the plot forward and offer a vast array of powerfully emotional individual moments. The story arcs of Andrew, Annie, Moira, Donald, Miss MacDougall, Brett and Catriona offer particularly beautiful and interesting counterpoints to one another and to Callum Mor. The characters’ hopes, desires and difficulties intermingle in a sad and realistic tapestry of human existence.

The narrative’s tone is generally quiet and introspective in the vein of Jarmusch’s BROKEN FLOWERS, but it is frequently punctuated by storms both literal and metaphorical. These interludes are capable of taking a potential adaptation to the heights of such grand romantic drama as THE ENGLISH PATIENT. Callum Mor and his people face many conflicts throughout the story, from poverty, mental illness, unwanted pregnancy, and battles with nature itself, to sexual assault and violent physical confrontation. A potential adaptation would have no difficulty keeping any prospective audience’s rapt attention on the action at hand, even as the deeper, more subtle messages of compassion and faith carefully unfold. Only the ending, if anything, could benefit from slightly less ambiguity; although the final scene of the villagers erasing their shame by building a home for the Hagens, compelled by Callum Mor’s peaceful faith, is an effective and striking image.

REDEMPTION would be well-suited to adaptation as a feature film. A film should retain the novel’s relatively complex web of conflicts, personalities and emotional undercurrents. If the book’s strengths are preserved, an adaptation has the potential to be a successful, intimate and intensely moving tale of human tragedy and triumph.

Recommendation:

Strongly Consider X

Consider

Consider with Development

Mental Illness, Alcoholism and Depression

The greatest gift one can receive is that of finding one’s true nature. The human spirit is resilient and can triumph over tragedy and psychological dependence. Learning to find our inner strength can conquer mental illness, alcoholism and depression. It is one factor in the complex reality of modern day suffering. It is essential to have a good physician and social support as well as the tools of mindfulness to nourish inner strength. The reality is that almost 15 million adults in North America suffer from some form of depression, enhanced through alcoholism and other mental afflictions.  I believe that the power of inner strength can help such wounded individuals overcome their worldly crutches. It took me a while to come to these realizations and the avenue was through a book I wrote some 40 years ago. This novel – Redemption – is in fact an allegory for depression and life difficulties that I once experienced, though I did not realize it at the time. The themes of mental illness and depression are writ large in this book – a turbulent Hero’s Journey to emancipation.

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The novel illuminates startling cycles of maturing and downfall experienced by the book’s main character – Callum Mor – a gifted child, master mariner, derelict drunk, who finally gains wisdom from a hard life’s journey. His failings and misery are ultimately conquered when he saves the life of a young girl and comprehends the fragility and beauty of human existence. “Redemption” was a “lost” manuscript, first written in 1975, forgotten until spring 2011. The narrative was vivified and refined with hindsight forty years later. It reads like an extended prose poem reflecting the primal forces of nature and of human nature.  Callum Mor takes the reader on a deep Hero’s Journey. It opens with his childhood in the Hebrides. He draws wonderful mentors to him; his schoolteacher, who lights the spark of a bard in him, animal friends such as an otter, a brutal fisherman who shields his darkness from the boy as he matures. Callum Mor thrives despite the poverty of his home in an island nurturing with gentle humor and adventure.  This novel moves from the rhapsody of Callum Mor’s idyllic childhood through tragedies to the derelict zone of his alcoholic drowning out of pain and suffering. His father, a seaman longing to be at home, is driven to madness by his inability to create a place for himself on the island. His brother is murdered on the docks at Montreal. So Callum Mor stays with his mother and forgets his yearnings to be a writer. He becomes the best fisherman in the region before grave misunderstandings tear his love, Catriona, away from him. This displaces his gifts as he drives himself and his crew to the very limits of endurance. The manner of his mother’s death is the final straw.

Callum Mor’s sensitivities and mind snap, as he enters the dark zone of alcoholism and withdraws from society. With only his animals keeping him this side of sanity he survives in a bleak solitude.  Until a family with a small girl seeking refuge from a storm come to his house. Slowly he edges away from his self-destruction. He saves the girl’s life in a winter blizzard. The glimmer of awakening dawns in him while sheltering in a cave with the child warmly ensconced in a gutted carcass of a sheep he killed to keep her from freezing. He sees his life pass in front of his eyes and this sets the stage for the final drama that illuminates the resilience of the human spirit. “Redemption” is my fourteenth book and first novel, though actually the first book I ever wrote.  In 1975 I was unable to get it published.  I found this “Lost” manuscript in an old filing cabinet, read it through and could scarce believe it.  I requested my wife and a couple of friends with critical eyes to read it through, just in case I was dreaming. Modern technology enabled the yellowing typed manuscript to be transformed into a computer ready document.   My wife thought it was incredible; one friend could not put it down and mused about the film to be made; the other friend cried through most of it.  All of which encouraged me to bring “Redemption” to life. I was tempted to leave this gem from 1975 in its pristine state, but realized that my insights some forty years later could enhance the narrative and flesh out “Callum Mor” into a character of epic proportions.

The story is an allegory for the life difficulties I experienced at that time–40 years ago. The surprise for me was how could I have written such a book while in a miserable state of mind? I was not in a good place physically or mentally – with a failing marriage in the Hebrides and trying to keep a career going at Carleton University in Canada. I was not doing a good job with either. Publishing this book in 2014 was an imperative for me, as a necessary part of my own life- journey. It is a companion to Trailing Sky Six Feathers: One Man’s Journey with His Muse-also published in 2014.  These books are writing me. Available on Amazon, Barnes and Noble and Xlibris websites. Check out: http://www.ianprattis.com/Redemption.html Book video: Youtube: http://youtu.be/9ohImbVX57g Redemption Interview http://toginet.com/shows/xlibrisonair Find Recent Shows 10-19-2014

Triumph of the Human Spirit

Triumph of the Human Spirit

Inner strength and resilience conquer mental illness and alcoholism

 PRESS RELEASE for “REDEMPTION”

OTTAWA, ONTARIO – According to the Anxiety and Depression Association, nearly 15 million adults suffer from some form of depression. Professor, author, and distinguished scholar, Ian Prattis believes that the power of inner strength can help these wounded souls overcome their worldly crutches. “The greatest gift one can be given is that of finding one’s true nature,” Prattis said. “The human spirit is resilient and can triumph over tragedy and psychological dependence.”

Prattis’ new novel, “Redemption” is an allegory for depression and life difficulties that he himself once experienced. The novel, which is set off the northwest coast of Scotland, illuminates startling cycles of maturing and downfall experienced by the book’s main character – Callum Mor – a gifted child, master mariner, derelict drunk, who finally gains wisdom from a hard life’s journey. Callum Mor’s character is epic and takes the reader on a deep Hero’s Journey. His failings and misery are ultimately conquered when he saves the life of a young girl and comprehends the fragility and beauty of human existence.

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Redemption is a companion to “Trailing Sky Six Feathers: One Man’s Journey with His Muse”, which was also published in 2014. Both books can be viewed at www.ianprattis.com.

Please visit http://ianprattis.com/Redemption.html for more information on:

“Redemption”

By Ian Prattis

Price: $15.99

ISBN: 978-1-4990-1234-7

Available at: Amazon, Xlibris and Barnes and Noble online bookstores

http://youtu.be/9ohImbVX57g

About the Author

Ian Prattis is a poet, Professor Emeritus, founder of Friends for Peace and a spiritual warrior for planetary care and social justice. Ian now lives with his wife Carolyn in the west end of Ottawa where the Pine Gate Meditation Hall is located in the lower level of their home. Since retiring from Carleton University in 2007, he has authored four books on dharma, two on the environment, a legend/autobiographical combo and this novel. He enjoys the freedom to create at his own pace and has yet to discern the ordinary meaning of retirement.

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FOR IMMEDIATE RELEASE**


EDITORS: For review copies or interview requests, contact:

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