Category Archives: Wisdom of the Elders

SHATTERED EARTH: Approaching Extinction

My latest book – SHATTERED EARTH: Approaching Extinction – will be published this fall, 2019, by Manor House. It has 13 chapters and 4 Parts.

Part One – Broken Glass

  1. A Candid Look at the Future of Planet Earth
  2. The Children and Extinction Rebellion (XR)

Part Two – Facing Extinction: Moving Mind and Heart

  1. Impermanence and Extinction
  2. Through Nine Year Old Eyes
  1. Transformation in India

Part Three – Hello Darkness

  1. Love Lost and Dark Shadows
  1. Solace of Winter
  2. Torched
  3. The Ewe

Part Four – All My Relations: Ancient Wisdom

  1. Medicine Mentors
  2. Sacred Stalker
  3. The Transfer Particle
  4. The Forest

About The Author’s Works

Here is a description of the first part.

PART ONE – BROKEN GLASS

Broken Glass is a metaphor for the broken cycles of Climate Systems that place humanity in dire straits. Chapter One – A Candid Look at the Future of Planet Earth – is indeed candid, brutal and dark. It begins with a futuristic analysis of Climate Change and the inevitable fate provided by the suicide pact engineered by corrupt corporations for most of humanity.The futuristic view is sent back from the year 2080. It is not an uplifting account, even when it reverts to present time and reveals how unready humanity is to encounter Climate Emergency.

Chapter Two is about The Children and Extinction Rebellion (XR). The essay opens with the Children’s Strike for Climate instigated by Greta Thunberg. I admire this magnificent young Swedish woman as she impacts generations and many politicians. Yet, the corporate oligarchy will not budge from their greed and power. They have already bought and sold governments. They will certainly gut the possibility of restraint with respect to Climate Change, thereby dashing the bravery of children worldwide. The emergence of Extinction Rebellion, a global grassroots environmental organization that emulates Gandhi and Martin Luther King’s adherence to non-violent protest is a disruption I fully support. Their target is the existing political establishment at the beck and call of corporate cabals.

These global protest movements intend to motivate citizens, parliaments and industry to implement massive measures to ameliorate the impacts of Climate Emergency. However, powerful financial interests, the creators of Climate Change, will not allow their power and control to slip away. They are better organized than us; they control the media and have the wealth to usurp any coalition that threatens their power. This could escalate to the collapse of societies amidst violent revolution.

 

Three Five Stars for Painting With Words

Some words from Five Star Reviews may bring the book alive for you. You can pick it up from the author or order it online, details at: http://ianprattis.com/PaintingWithWords.html

 

Kathryn Bennet wrote: “I read this book three times before settling in to write this review. Each time I felt that I uncovered another layer with the collection of poems that I had missed the last time through. To me there is something truly magical about a work that can do that…….The poems strike right at the heart of the journey the author himself has taken in life, and yet it also has an ability to resound with others…….You can see the images come to life before your eyes as you read….This collection of poems takes the reader through the full gamut of human emotions. The author has masterfully used his own life experience to transport the reader through this journey, while striving to leave a mark directly on the reader’s heart.”

From K.C. Finn: “Shying away from the old fashioned traditions of symbolism and imagery, the work expresses an emotionally outcry in a raw and direct from, creating powerful auditory moments to express the highs and lows of the human condition………What results is a work which runs the full spectrum of emotional consideration, taking a singular personal experience and reaching for the qualities which make it universal to all…..The poems are direct in address, but spiritual and philosophical in themessage the leave lingering afterwards.”

Romuald Dzemo speaks: “A collection of poems thematically arranged that reflect the very soul of humanity, filled with imagery and rhythms that mimic the different seasons of the human soul. The poems in this collection bear witness to what readers feel, perhaps in the hushed hours of the day; emotions, thoughts, felings, and realities that allow readers to connect with the things he writes about…….The voice is powerful, the poetic lines rhythmic, and the entire collection is filled with powerful imagery……..I love the depth in Ian Prattis’ poetry and thebeauty in the rhythm and richness if its diction…….For instance: “A week in the life/ of a poem/has words racing to knowing’s edge.” Here is another: “Phrases creep/over the dawn of logic/suspended then gone.”

 

Poetic Voice

                                              

I will talk about the Poetic Voice and “Painting with Words, Poetry for a New Era.”

In 2017 I published a book of essays titled “Our World is Burning: My Views on Mindful Engagement.” Once I sent it off to the publisher I had to clean out my filing cabinet, which was a total mess. In the process of dumping stuff I was surprised to come across a folder with 60 years of my poetry stuffed in it. Most of it was garbage, but there were sufficient gems to feature six distinct thematic moods to capture the shared aspects of human experience.

It all started during my teenage expedition to Sarawak, Borneo (1960 – 62). This was with Britain’s Peace Corps. I kept a journal of the vivid surrounds and how I was feeling. From that time on I scribbled poetry wherever I went, accumulating poems that reminded me of the experiences. Later on in life, my extensive shamanic training with First Nations medicine people was also carefully logged. Those notes and poems were a sign-post to always be authentic. In my career as an anthropologist I was fortunate to encounter many First Nation story tellers across North America. Their poetic recounting of myths and history had a deep impact on how I wrote. I would say that without poetry cultures implode.

My first book – Redemption – was written in 1975. I refer to this novel as I wrote it as an extended prose poem. It became a lost manuscript as I did not know how to get published at that time. In 1975 I was writing way over my head and lacked the maturity to understand the deep nuances emerging from my pen. Redemption was writing me and it is fitting that it was not published until 2014. It reads like an extended prose poem reflecting the primal forces of nature and human nature. The time lapse allowed me to grow into the insights and revelations writ large. I was a total mess in 1975 – with a failing marriage in the Hebrides and trying to keep my career intact as a young professor at Carleton University. I was not doing a good job with either. The surprise for me in 2014 was how did I write such a powerful poetic novel while in a desperate state of mind? This background brings me to “Painting with Words” – my latest book

PART ONE: BITTERSWEET

It growls rather than sings – a side show malady of words I sometimes prefer to hide. It relishes what I failed and flailed at – my discomfort with relationships, hierarchical structure and all that is phony. Growing up I was acutely aware that I was a maverick – on the outside looking in. I saw more clearly and deeply than allowed.

The poem Punk Palace in the Moonlight presents a sudden shift in the first mood. This poem is about my son – lost in the drug underground of Glasgow, Scotland. I went there to bring him out. Punk Palace in the Moonlight is a collaborative poem composed with my son. We took turns composing lines of a poem to the moon. I cannot discern where he began and where I ended, which is perhaps just as it should be.

Punk Palace in the Moonlight

Moonlight speaks of a morning passing by

life crisis turns beyond wreckage

preventing boundless life entering grim death.

The moon a delicate mistress

veiled by fleeting clouds and mysteries.

It makes the stars and galaxies dance.

The moon does this,

with all that is in me.

This gateway to boundless space

is a door for my troubles and joy.

For I am in the moon and stars

and they are in me.

We dance together

– Now Bright; Now Turbulent

Now Lost; Now Found –

Beyond any sense or reason.

And the night sky casts movement and hues

to something I touch

with that in me.

The full harvest moon

rises from banks of pastel grey,

pacing existence

through the rhythms of our universe.

Glasgow, Scotland. September, 1995 

PART TWO: PAINTING WITH WORDS

Part Two displays my passion for nature, the colourful images of nature’s cycles and its “undeterred rhythm” of change. I remember as a child how I blithely assumed that nature walked me when I cut school to roam the forest and rivers near my home. As a child I had special relationships with wild animals, in particular with one otter and a family of hedgehogs that I kept under my bed. My parents were long suffering over the stray animals I brought home, but their patience was severely stretched over the hedgehogs. They had to be returned to the forest when I became infested with their fleas, which I passed on to my immediate family, classmates, and also to a particular schoolteacher that I did not like.

My poem “Weaving in the Forest” paints the image of a lake, awakening the senses to the striking beauty of the depicted scene.

Weaving in the Forest

 

Let me share it.

This symphony of autumn color,

cascading melody from a sky

pastel grey and fiery red.

Descant to the dancing tones of

a painted forest

cooled by lush evergreens.

 

Sensual beauty,

rhapsody of forest and sunset sky

fused a golden sheen,

caught in a still lake.

Waiting with patience

beyond time and space,

A pause to reflect this moment of

splendor –

Weaving

Lac Philippe, Gatineau Hills, October, 1992

 

PART THREE: AGUA VIVA and PART FOUR: FOOTSTEPS OF THE BUDDHA

I will run together Part Three: Agua Viva and Part Four: Footsteps of the Buddha. They are both about the spiritual journey at different times. Agua Viva (in Mexico) provides poems about my clumsy emergence to new understandings. They are very different from the more mature Part Four – Footsteps of the Buddha.

I met a visiting Rishi to Canada in 1995 – a holy man from India who recognized me and insisted I go to India for spiritual training. In November and December of 1996 I became seriously ill in India. As I observed my bodily systems crashing one by one I knew there was a distinct possibility of death. I was living in a small ashram in the city of Mumbai – reserved for saints and holy men. I did not qualify for either category yet felt their grace at hand. One humorous manifestation of that grace occurred one morning when I woke up and opened my eyes to greet one of my swami mentors. He smiled broadly and said in his wonderful Indian accent:

“We are all so happy Ian that you have decided to die with us in India, if indeed you are to die. And we will be most happy should you live.”

I went back to India six years later. My wife Carolyn and I embarked on a pilgrimage – In The Footsteps Of The Buddha – through North India and Nepal in February 2003. I created six insight poems that provide a glimpse of experiences that are too immense to otherwise communicate. The Footsteps of the Buddha pilgrimage was full of wonder and miracles. It was a journey to the center of being so that everyday life becomes a pilgrimage.

 PART FIVE: SPEAKING OF TRUE LOVE

I do not have the credentials to speak of this lofty pinnacle. My relationships through time hardly equipped me, as I stumbled through ignorance, stupidity (mostly mine) and unhappiness. My mistakes were legion and I eventually decided to live alone. I found a spacious cabin set in the Gatineau Forest across the river from Ottawa.

An old friend pierced that bubble. She was taking ballroom dancing lessons and asked me to accompany her, as her partner was unable to do so. At the Jack Purcell Centre in Ottawa, an elderly Jamaican gentleman was our instructor. He was charming and had all the moves to put us through the paces of ballroom dancing. I noticed an attractive blonde woman always dancing the male part with her female friends – all from the same office. Her name was Carolyn. I asked if she would like to dance the female role with me. Her wide green eyes and gentle smile said it all. The following week of dancing with her was magic. Not once did I tread on her toes during the intricate passages of the Quick Step and the Fox Trot.

Before leaving that evening, I asked if she would like to meet my wolf. As soon as these words came out of my mouth, I thought she must think this was the worst pick-up line in the world. She paused, smiled and then said “Yes.” I did, in fact, have a pet wolf in the back of my truck. He had found me in the Mt. Currie forest in British Columbia. He played his part beautifully. I rolled down the window of my truck and Carolyn could see his magnificence. He had a russet brown coat with white forelegs and face. He rested his large paw on Carolyn’s shoulder and gently licked her cheek. It was an instant match. She told me much later that she fell in love with the wolf first, then thought that there must be something about the fellow who had him.

The thematic focus of these poems is a celebration of souls mirroring each other, bonded in a union reminiscent of twin flame bonds. They remind me of the Romantic period in English literature, or the Sturm and Drang of the German poetic expression, where ecstatic feelings prevailed over the poetic form. Here is a taste: “Our soft spoken adoration blows on dandelions, creating parasols drifting to fertile ground” – PAUSE – that begins one of the many verses.

PART SIX: ANCIENT WISDOM

PART SIX – ANCIENT WISDOM was written when I accompanied two friends on the first leg of their cross Canada canoe expedition.

My creation of this epic poem had a double focus. I wanted to leave a document about Canada’s wilderness for my grand-children, so they could be inspired by Mother Earth. I also wanted to weave in the Wisdom of the Elders, to speak about Canadian waterways from the reverence of First Nations.

Painting With Words Poetry for a New Era ends with this thematic focus on Ancient Wisdom – pulsating with the rhythm of the river, the spirit of nature of its ancient inhabitants. In spite of being exposed to the merciless harshness of the elements, the poet – that is me – still smiles because I am a part of this world just like a tree or a rock.

The connection between humans and nature is illustrated in the poem about a solitary tree and a man. In each other’s presence, their feelings of aloneness vanish.

The Forest

In the forest a great many entities

of the earth and sky speak of before

and what is to be.

Clearings sunk into the earth

await further visits.

In the center of one clearing

stood a single tall aspen

Waiting for companionship,

fragile in its aloneness,

in her aloneness,

in our aloneness.

I stand within her circle

– this tree and I –

and for a brief moment,

neither were alone.

To finish I would like to bring to your attention a 5 STAR review which inspired the writer of it to start writing poetry again. READ.

Kathryn Bennett writes:

I have to be fully honest in saying I read this book three times before settling in to write this review. Each time, I felt like I uncovered another layer with the collection of poems that I had missed the last time through. To me, there is something truly magical about a work that can do that. You can see the images come to life before your eyes as you read. It was truly a pleasure to be able to read this collection of poems and it has inspired me to look back on some poetry I used to write and perhaps to start doing so again. I would highly recommend this book to any reader who loves a journey and wants to find themselves mesmerized by the written word.

 

5 Star Roll for “Painting With Words”

Another 5 Star Review of Painting with Words, Poetry for a New Era by Ian Prattis

 BOOK REVIEW

Five Stars 

 Reviewed By K.C. Finn for Readers’ Favorite

Painting With Words, Poetry for a New Era is a book of inspirational verses written and compiled by poet Ian Prattis. Shying away from the old fashioned traditions of symbolism and imagery, the work expresses an emotional outcry in a raw and direct form, creating powerful auditory moments to express the highs and lows of the human condition, as our author sees and experiences them. The work is separated into six themed sections, travelling through different moments in recent history as the author experiences them, reflects upon them, and reaches different emotional conclusions along his journey to full discovery. What results is a work which runs the full spectrum of emotional consideration, taking a singular, personal experience and reaching for the qualities which make it universal to all.

One of the things which I found unexpectedly delightful about this work was the strong and recurrent connection to nature that Ian Prattis strives for. Whilst many of the works pertain to some of humanity’s most unkind acts towards one another, unveiling the true greed and violence we are capable of as a species, others look beyond these base defects to consider the potential for good that we have if we can reconnect our spirits to nature. The poems are direct in address, but spiritual and philosophical in the message which they leave lingering afterwards. Overall, Painting With Words, Poetry for a New Era, presents an optimistic new viewpoint with a clear and engaging emotional progression of how it came to be.

 “Painting with Words, Poetry for a New Era” Order through: http://ianprattis.com/PaintingWithWords.html  To avoid shipping costs, Ottawa area friends can get a signed copy directly from the author –your purchase enables you to take home a prior book or Meditation CD home for FREE, as a special thank you.

 

PART SIX: ANCIENT WISDOM

Four large Ravens visited me in my back garden. They stared at me until they had my full attention. This was a prompt to complete a neglected piece of work. I had placed a complete volume of poetry on the back burner, allowing it to sit for six months. No longer – I got it that this was my priority. In particular the final section of the poetry book – PART SIX: ANCIENT WISDOM. The Ravens left as silently as they arrived. I was humbled by their presence. Here is the introduction to ANCIENT WISDOM.

PART SIX: ANCIENT WISDOM

PART SIX was written when I accompanied two friends, Janice and David, on the first leg of their cross Canada canoe expedition. My good friend Keith Crowe teamed up with me and a yellow canoe. I had never undertaken anything quite like this. Ancient Wisdom was written during the canoe trip, under oilskins, during portages, while cooking in the rain and once when standing drenched and half clothed in a Quebec laundromat. PART SIX is written in capital letters – a writing form quiet alien to me but that is how I wrote it.

My creation of this poem had a double focus. I wanted to leave a document about Canada’s wilderness for my grand-children, so they could be inspired by Mother Earth. When experience and inspiration sparked, I would shout out to Keith in the stern of the yellow canoe that I had to write. I would bring out the oil skin envelope stuffed with poems about the journey. The final poem ended up being very long. I edited it radically when my oldest grandson exclaimed, “Too long grandpa!” I took his response to heart. However, it is still very long. I hope there is enough apocryphal prose to hold the reader’s attention.

I also wanted to weave in the Wisdom of the Elders, to speak about Canadian waterways from the reverence of First Nations. A decade earlier I had become aware that I had a stalker from that ancient realm. She persisted in shadowing me. Eventually, White Eagle Woman, my shaman mentor made it clear I was mistaken. This was no stalker. It was a woman from the 18th century. The female entity from the past was a medicine woman and she was trying to bring powerful medicine gifts through to me in the 21st century. I had not learned how to release my logical, intellectual mind, and did not possess the wisdom to receive her gifts. She had a name – Trailing Sky Six Feathers.

My dumb resistance, however, was no match for her determination. I ultimately surrendered to this Muse and wrote a book about her – Trailing Sky Six Feathers: One Man’s Journey with His Muse. I learned that I had died in her arms in 1777. She vowed to find me in the future to complete my purpose. Through her insistence I learned to reconfigure my understanding of time, place and consciousness. She refused to give up on how dense I was and provided guidance so that karma was reversed, the internal battles ceased and I learned to navigate past and present life experiences over four centuries. The medicine gifts received from Trailing Sky during dream visions and shamanic journeys required that I nurture skills and learn to use them wisely. I eventually remembered a clear mosaic of experiences stretching back to 1777. Past life memories collided head-on with the present, as the relentless shadowing by this Muse brought understanding and purpose to overcome the darkness of my past. This provided the appropriate training to navigate this river of Ancient Wisdom.

It was during a gathering of elders in 1978 that I first met White Eagle Woman. She beckoned me over, looked me right in the eye and told me that she did not like me at all. Quite an introduction. Her rebuke was perhaps well deserved, given how unaware I must have seemed. My disjointed education and experience with the Indigenous domain of mysticism did, however, slowly evolve into a seamless pattern rather than remain as random knots stretching across an abyss. She had been instructed by her ancestors to train me and it began straight away with an eight day vision quest. Her blunt introduction was the prelude to a thirty year period of training and healing under her guidance. She directed the shamanic process of my healing from childhood sexual abuse. This allowed the mosaic of the past to reveal itself.

She also identified Trailing Sky and taught me how to create a medicine wheel in my mind with a circle at the sacred centre. That was the location where I could dialog with Trailing Sky, which I do every day. Each time my life was at risk, Trailing Sky would orchestrate the necessary energies to keep me alive. That must have kept her very busy as she brought me through to safety – time after time. She is not an illusion, nor a projection that I am attached to. She constitutes all that is crystal clear within me – the ultimate Muse. I am deeply humbled and privileged to touch this Ancient Wisdom of transformation. She said to me,

“You have transformed all that you brought in with you and suffered from. The person who stumbled blindly through the first part of your life is not the Ian walking through the second part of life. In India, Arizona, France, the Canadian wilderness and around the world you went to extraordinary lengths to deal with karma. You changed course and now have freedom and alignment. There were so many severe experiences, but you responded by moving in a spiritual direction. You touched universal threads that allowed me to keep my promise from 1777. And we are both grateful for that”

I could feel her smile expand with my own. I placed my two hands together with great reverence and offered a deep bow of gratitude to Trailing Sky Six Feathers.

Namaste….

http://www.ianprattis.com/TrailingSky.html

 

More on Mindful Engagement.

Our World is Burning presents sixteen essays which strive to teach the benefits of mindful engagement for individuals, communities, and the Earth. These essays are divided into four parts, each based on a different area which mindfulness can positively impact: global climate change, family and community, healing and transformation, and spiritual support. I show readers what mindfulness can do for them and the small ways in which readers can rewire their consumerist thoughts and become more present in the here and now.

I begin with three essays in PART ONE: CASCADE. Essay One provides the title of this collection – Our World is Burning. It is about Climate Change seen through the eyes of a terrified nine year old boy who wants to remain five so the earth does not explode into flames. His poignant discussion with me on his birthday obliterates any residue of Climate Change Denial. I spoke to him about the mindfulness community I created in 1997 – Pine Gate – and the deliberate steps taken for planetary care. We simplify, make do with less, share and adapt. Our intent is to create environmental leaders and that includes him.  The drive behind Pine Gate is to foster a strong cadre of people in Ottawa to make a difference for the betterment of society and the Earth Mother. Women are in the forefront of this endeavor. They are the heart that holds the living waters and that heart is the dynamic epicentre of the mind/will/emotions that lead to effective action. He was taking it all in, including “Girl Power” and grasped what I said to him. He came up to me as I was leaving and whispered in my ear that my chat with him was his best birthday present ever.

The next two essays are hard core. Essay Two: Rant from the Future is taken from the futuristic book New Planet, New World.  In this fictional moment in 2080 Dr. Tom Hagen’s blistering speech to an elite forum of political and corporate leaders at the United Nations changed the future of humanity. He looks back on the willful ignorance of the power elite on Planet Earth. He glares at his audience, “Did you not notice that degradation of the Earth’s ecology was the catalyst for radical Climate Change? Did you not see that food crops were destroyed by horrendous heat waves? Did you not realize that food riots and world panic trace back to one cause, the economic agenda of your energy extraction?” He continued, “Your collective agenda has destabilized world order.  Your brand is a dysfunctional global financial system lurching from one disaster to another, ignoring the welfare of populations and the ecological breakdowns caused by the consequences of your actions. May I remind you that the economy is a mere sub-set of the mother lode of ecology and you have successfully destroyed most ecosystems on Planet Earth. Your willful ignorance of dire warnings served to discredit climate change scientists and oceanographers screaming that eco-systems were disintegrating. You silenced and jailed citizens with the integrity to save the Earth. But it was never about the unanimity of science or free speech. It was about the brand of economics favored by your collective cabal of extraordinary power that extended its reach to encompass all powerful corporate ventures. You know who you are.”

Essay Three: Are We Stupid ponders on two forks in the road: either a Failsafe in Consciousness emerges or our fate becomes that of resignation to being a failed genetic experiment. The necessary clarity to deal with Climate Change will emerge, once our thoughts, values and attitudes change and no longer sustain and feed our internal pollution. This is the radical internal Climate Change necessary to engage intelligently with the external Climate Change. The overwhelming terror of Gaia crashing down on us is unbearable. The restructuring of capitalism requires that social capital and community sustainability become just as important as profits – profits for sure, but within an ethical structure that provides a new direction for globalization. New structures and mindsets are required to eliminate the control exercised by international finance capitalists. If we continue to turn our beautiful rivers into sewers because of our endless greed and neglectful ignorance, it is obvious that there is no place on Mother Earth to support our present civilization. That too will join the trash heap collectively created by mindless generations of humanity. The ancient ecologist on Mars studying a million years of earth history would note a parasitic infestation on Planet Earth that was not very intelligent. An intelligent parasite would ensure the good health of the host that supports it. And so the Martian biologist would factor in an inevitable elimination date for our species in her star-date log and may well view our civilization as a failed genetic experiment.

Briefly – PART TWO: FAMILY AND COMMUNITY provides an unusual story of parenting in the drug underworld of Glasgow, Scotland in Essay Four: Punk Palace. The upbeat essays of Community Activism and Taking Refuge in Grandchildren in Essays Four and Eight are counter points to the dreadful impact of Cyberbullying and More Dead Children in school murders in Essays Five and Seven.

In PART THREE: HEALING AND TRANSFORMATION I do not shrink from documenting personal suffering and transformation – near death experience, sexual abuse and healing. I knew there was a boundless consciousness deeply hidden under the morass created by my patterns and habits of denial.  I refer to this personal necessity in Essay Nine: Healing Journeys, Essay 10: Healing the Inner Child and Essay Twelve: Shattering of Concepts. Chapter 11: The Buddha at the Gate is a homily to park our suffering. Essay 12 – Chronicles of Awakening – places my concerns in a trilogy of books – Redemption, Trailing Sky Six Feathers and New Planet, New World. Peggy Lehmann in a testimonial to Our World is Burning states that through these three books “..readers saw glimpses of the author and his message both evolving and growing to new levels of spiritual understanding. At a time on Earth when hope is badly needed, Ian’s writings have universal appeal assuring us that a better world is possible and that each of us must contribute to its creation.”

In PART FOUR – SPIRITUAL SUPPORT – the essays lead up to the finale: “A Manifesto for the Future.” This places the issues in each essay into the sphere of action, politics and resistance. I also reveal my spiritual training from Shamanic, Vedic and Buddhist traditions, jostled together with quite a few life crises!  My intensive training enabled me to better understand the processes of transformation.  There was a lot of mud in my seasons, yet that mud provided the necessary compost to cultivate surprisingly beautiful flowers. From mentors in the desert, Essay Fourteen, to training with sages, Essay Fifteen, I then gravitate to Essay Sixteen: A Manifesto for the Future. And just why do I – do we – need all of this?  It is so we may emerge as the new leaders for the 21st century.

I was humbled by the reviews of “Our World is Burning: My Views on Mindful Engagement.’ They reinforced my attempt to create an authentic tapestry about the state of the world and how we could best engage with it. I could only draw from my experience and hope that would be enough for the reader. My approach to life comes through experience, crises, difficulties and joys that may have common ground with many readers. If I can take steps along the spiritual path, surely anyone can. To the best of my ability, I endeavor to follow Gandhi’s principles of ahimsa and the teachings on mindfulness. These are the guidelines and foundations for my peace and environmental activism. I live very simply as a planetary activist. I am a Zen teacher, also a recognized guru in India. My initial task is to refine my own consciousness – to be a vehicle to chart an authentic path. If I did not do this, then I could not write the way I do.

Order Book: Amazon, Indigo, Author Autograph – http://ianprattis.com/OurWorldIsBurning.html

 

 

 

 

 

 

US BOOK VIEWS: 5 STAR FOR “OUR WORLD IS BURNING.”

US BOOK VIEWS: 5 STAR FOR “OUR WORLD IS BURNING.”

This book exhumes a quiet power with the strength to reshape the reader’s mindset. In a time of stress, uncertainty, rampant consumerism, and divisive politics, one could easily succumb to the modern dog-eat-dog mentality. It’s easy to feel like a small, meaningless pebble in the vast sea of society, but Dr. Ian Prattis—guru, Zen teacher, former anthropology professor, and writer—believes there’s a better way to live based on mindfulness and simplicity. In his essay collection, Our World is Burning: My Views on Mindful Engagement, Dr. Prattis argues that we can improve not just our lives but the world around us by becoming an island of mindfulness within human society. Our World is Burning presents sixteen essays which strive to teach the benefits of mindful engagement for individuals, communities, and the Earth.

These essays are divided into four parts, each based on a different area which mindfulness can positively impact: global climate change, family and community, healing and transformation, and spiritual support. Dr. Prattis shows readers what mindfulness can do for them and the small ways in which readers can rewire their consumerist thoughts and become more present in the here and now.

While conveying many of the same messages as other spiritual works, Our World is Burning stands out for its calm honesty. Dr. Prattis does not pull any punches, whether he’s talking about society, his loved ones, or his own life. He lays out the facts truthfully but without the angry, accusatory tone which often accompanies topics such as global climate change. Readers might feel guilty as a result of this book’s truths, but not because of the author’s tone; instead, they will feel the weight of his words, and readers will know that it is time to take action. Fortunately for those who do not like academic essays, Dr. Prattis does not rely on this method to convey his views. Also, as Dr. Prattis warns in the “Invitation,” these essays do not focus on scientific research or statistics. Rather, Dr. Prattis uses personal anecdotes, references to prophetic movies and books, and even a fictional depiction of measures which may become necessary due to global climate change. This variety allows readers to avoid any dry patches due to the monotone of typical essay writing—that is, if they are truly interested in the subject matter.

That being said, this book is not for everyone. Dr. Prattis makes claims which will rub some readers the wrong way. Namely, his remarks on the destructive nature of consumerism and society’s reluctance to adapt will strike a nerve with more conservative readers. However, those really looking for what’s missing in their lives, those who want to make a difference but don’t think they can, will find a wise guide in Dr. Prattis. He teaches readers that they might just be one person, but it only takes 2% of us meditating to bring change to the entire world. His personal anecdotes and conversations with family members will especially touch such readers, showing them that Dr. Prattis knows these methods work firsthand and is not just a “do as I say, not as I do” instructor.

For those wanting an insightful, inspirational examination of mindfulness in the modern era, look no further. This book will strike your heart and point you down a path of meditation, simplicity, and mindfulness. This new path will be difficult, but the peace and hope which Dr. Prattis promises will be worth the obstacles

Order Book: Amazon, Indigo, Author Autograph – http://ianprattis.com/OurWorldIsBurning.html

 

Finding the Poetic Voice.

During my teenage expedition to Sarawak, Borneo, with Voluntary Service Overseas, I kept a journal of the vivid surrounds and how I was feeling. From that time on I scribbled poetry wherever I went, eventually accumulating trunks full of poems that reminded me of the experiences, particularly those later in India.  My extensive shamanic training with incredible First Nations medicine people was also carefully logged, and those notes were a sign post to always be authentic, even when it was difficult to re-read. As a professor I wrote text books and scholarly papers, which had particular protocols that were somewhat stifling. When I started late on the writing craft – I had to re-learn how to write without sounding pompous. I gave up on footnotes!

My challenging journey through life navigated shamanic healing of childhood sexual abuse, guru training as well as a near death experience in an ashram in India. From this vast range of experience I developed an ability to sculpt narrative in a novel way and this was expressed in my poetry and books. My life as a global traveller certainly stretched my attention beyond any limits I could have placed on it. Expansion of mind was inescapable. I certainly stumbled through the first part of life, but then stood strong in my own sovereignty in the latter part. My approach to life comes through experience, crises, difficulties and joys that may have common ground with many readers. To the best of my ability, I endeavor to follow Gandhi’s principles of ahimsa and the teachings on mindfulness. I live very simply as a planetary activist. As a Zen teacher my initial task was to refine my own consciousness – to be a vehicle to chart an authentic path. From this energy the poems and chapters emerge.

My book – Redemption – was first written in 1975. I wrote it as an extended prose poem. It became a lost manuscript as I did not know how to get published at that time. When I rediscovered it forty years later I could scarcely believe my eyes. Anita Rizvi had this to say….  “Redemption is a riveting chronicle of one man’s journey through the stages of innocence, darkness, destruction and transformation.” She goes on to say, “What is so exquisite is the tenderness and honesty with which the author deals with the human condition . . . When the main character’s journey takes him ever closer to the abyss, the author refuses to ‘sanitize’ his experiences.

It is important for me to remain true in telling the grittier and more difficult aspects of a poem or story, also to touch the mystical elements that led to it being transposed to written form. Yet in 1975 I was writing way over my head and lacked the maturity to understand the deep nuances emerging from my pen. The book was writing me and it is fitting that it was not published until 2014, as the time lapse allowed me to grow into the insights and revelations writ large. I was a total mess in 1975 – with a failing marriage in the Hebrides and trying to keep my career intact as a young professor at Carleton University in Canada. I was not doing a good job with either. The surprise for me in 2014 was how I could have written such a powerful poetic novel while in a desperate state of mind. The themes of mental illness and alcoholism are writ large in this deep and turbulent Hero’s Journey to emancipation. Redemption is an allegory for the depression and life difficulties I once experienced, though I did not realize it at that time.

From the rhapsody of an idyllic childhood through traumatic tragedies to the derelict zone of alcoholism and then to a state of awakening – I depict the stations of a personal Calvary that ultimately leads to “Redemption.” The poetic voice in the book is a lyrical and moving tale of struggle, love, loss, transformation and hope. It reads like an extended prose poem reflecting the primal forces of nature and human nature. Its starkly gorgeous and remote island setting creates and reinforces the central themes of struggle, family, community and wonder at the beauty of the world. Its rich cast of characters offers numerous gripping interludes that brim with complex interpersonal drama. Relationships with people, land and sea skilfully brings the poetry out.

In my career as an anthropologist I was fortunate to encounter many First Nation story tellers across North America: Dene, Hopi, Ojibwa, Algonquin, Inuit – to mention a few. Their poetic recounting of myths and history had a deep impact upon me. I would say that without poetry cultures implode. Over a period of thirty years, four extraordinary aboriginal medicine people enhanced my process of remembering the power of the poetic voice. Through their mentoring, I learned how to reconfigure my understanding of time, place, consciousness, and re-write some of Carl Jung’s psychology. I chose to listen to the feminine voice of Earth Wisdom rather than to the multitude of competing voices in my deep unconscious. I am not good at sitting down and writing four pages a day. I wait until the spiritual energy is present within me, then I write. Sometimes this is frustrating, as I want to get on with it, but when I do not stay still and wait – I simply write garbage! So I use the in-between times to do research and edit. When the energy is sparkling, the writing flows effortlessly.  I do not consider this as a necessary template for others. It is just what works for me to connect to the Muse within.  I trust that far more than any impatience.

My books are screenplay-worthy epic tales that weave together seamlessly to create inspiration. Global citizens are staring into the abyss. Instead of being eaten up by it all, I say to them – “Awaken spiritually,” for that transforms everything. We have made our world an unpredictable beast because we fail to work with it intelligently. Turning on the switch of awakening seems to be a good idea right now. That is the prod and direction of my poems and books. We just need to touch the sacred in ordinary experiences of life to find the courage and determination to transform. All of this funnels back into my writing.

The stories I tell in my poetry and books are offered as a gift to our planet. My purpose in life is to share my wealth of experience on how to live in harmony not just with ourselves but with the place we call home… Earth. I shed light on issues that will affect our world for generations to come. The example of my own challenging journey and personal transformation illuminates a path for others to expand their consciousness and chart the course for a future beyond the abyss. The human race does not need to be stuck with maladaptive options and patterns. My writing delivers a vigorous message about personal transformation in order to become responsible stewards of the earth and society.

Books at http://www.ianprattis.com 

Postscript to “Our World is Burning.”

Postscript for “Our World is Burning: My Views on Mindful Engagement”.

 Order book: Amazon, Indigo, Author signed: http://ianprattis.com/OurWorldIsBurning.html

 My life as a global traveller stretched my attention beyond any limits I could have placed on it. From teenage volunteering in Borneo with Britain’s Peace Corps to being a yogi in India and a Zen teacher in Canada – expansion of mind was inescapable. My challenging journey navigates shamanic healing of childhood sexual abuse, guru training as well as a near death experience in an ashram in India. In my teenage expedition to Sarawak, Borneo, I kept a journal of the vivid surrounds. From that time on I kept journals and scribbled poetry. I eventually had trunks full of journals that reminded me of the experiences I went through, particularly in India.

My extensive shamanic training with First Nations medicine people was also carefully logged. As an anthropologist I was fortunate to encounter many story tellers across North America – Dene, Hopi, Ojibwa, Algonquin, Inuit – to mention a few.  Their poetic recounting of myths and history had a deep impact upon me. I would say that without poetry, cultures implode.  Over a period of thirty years, four extraordinary medicine people enhanced my process of remembering the power of the poetic voice. Through their mentoring I learned how to reconfigure my understanding of time, place and consciousness. I also chose to listen to the feminine voice of Earth Wisdom rather than the multitude of competing voices in my deep unconscious. This impact shows up in my writing.

From this vast range of experience I found an ability to sculpt narrative in a novel way and this was expressed in my poetry and books. I certainly stumbled through the first part of life, but then stood strong in my own sovereignty in the latter part. In India, Arizona, France and Canada’s wilderness, I went to great lengths to transform karma and began to live life as a Meditation for Gaia. My journal notes were a signpost to always be authentic, even when it was difficult to re-read. As a professor I wrote text books and scholarly papers, which had particular protocols that were often stifling. When I started late on the writing craft – I had to re-learn how to write without sounding pompous, to be mindful of what the reader could take in. I gave up on footnotes!

I am a Zen teacher, also a recognized guru in India. My initial task is to refine my own consciousness – to be a vehicle to chart an authentic path. If I did not do this, then I could not write the way I do. The focus on daily mindfulness from my Zen practice enables me to be still and clear. From this energy the poems and chapters emerge. I do my best not to write from a space of frustration or of wanting to get the writing finished. I wait until the energy of mindfulness is tangible – then creating the words and text just flow.

My books are epic tales that seamlessly weave together to create inspiration for a wide range of fellow spiritual seekers, environmentalists, Generation X and Y, feminists, students and academics alike. I recognized early on that global citizens are staring into the abyss – yet instead of being eaten up by it all, I say to them: “Awaken Spiritually,” for that transforms everything. We have made our world an unpredictable beast because we fail to work with it intelligently. We have to take back control of ourselves and this is a spiritual matter. Turning on the switch of awakening seems to be a good idea! That is the prod and direction of my poems and books. We just need to touch the sacred in ordinary experiences of daily life to find the courage and determination to transform. My writing caps a long-term fascination with consciousness. As a Professor I taught courses on Ecology, Symbols, Engaged Buddhism and Meditation Systems. I am a healer, mentor and educator, able to encourage people through example to find their true nature so that humanity and the world may be renewed. All of this funnels back into my writing.

My hope is that the reader will summon the courage to believe that they can take steps to transform internally and then make a difference externally. The stories I tell are offered as a gift for our planet. My purpose is to share my wealth of experience on how to live in harmony not just with ourselves but with the place we call home… Earth. I shed light on issues that will affect our world for generations to come. The example of my own challenging journey and personal transformation illuminates a path for others to expand their consciousness and chart the course for a future beyond the abyss. The human race does not need to be stuck with maladaptive options and patterns. We can and must transform. My Essays deliver a vigorous message about personal transformation in order to become different stewards of the earth and society. In the Sixteen Essays, I offer reality-based information that is in high demand in today’s society, which provides the potential for my projects to become fresh, new icons for today’s hungry culture. Hungry, that is, for authentic transformation. Authenticity is the bottom line, which took a while to register in my career as an academic. It is essential to find one’s authentic voice and not be afraid to express it.

In Essay One my grand-nephew James requested a training program. I offered this 8-point plan.

  1. You – learn to be silent and quiet! Clear time and space for spiritual practice at home and throughout your daily schedule.
  2. Create a stress reduction menu and subtract the “weeds” in the garden of your mind.
  3. Be determined to meditate daily – do the weeding.
  4. Focus on and soften your heart – nurture the soil of your mind’s garden.
  5. Cultivate the seeds of mindfulness at home, school, and work or in solitude.
  6. Simplify, make do with less, de-clutter your mind and home.
  7. Taste the fruits of your spiritual practice.
  8. Engage with the world.

This plan for James, or something like it, is a necessary prelude for mindful engagement. Whether it is at home, in community, activism against damaging global structures – some form of reflective quiet enables citizens to connect, reach out and play a part in reconstructing our place on planet earth. To stay on the sidelines doing nothing, creates victims of us all. There is no time to lose. I remember saying to James that “The greatest gift we can give to ourselves and others at this time of global crises is sharing and caring. It involves stepping onto what the Buddhists call the Bodhisattva Path.” I explained that a Bodhisattva was a person who stayed in the global mess and did their best to awaken the minds and hearts of people. I firmly stated that it is time for the Bodhisattva-within-us to enter the 21st century as the example for action. It takes training, practice, intelligence and creative vision to find the drive to create a tangible spirit of co-operation, the willingness to share and be supportive, and learning how to cross the bridges of conflict.

This thread of understanding finds a place in every essay in Our World is Burning. However, the obstacles preventing people taking wise action are a mixture of fear, despair, disempowerment and a sense of hopelessness. The overwhelming terror of Gaia’s collapse, along with the consequences of global refugees and fascist regimes are unbearable. Our challenge is to be in society, but as a still island of mindful engagement. We do not have to be caught by pathological consumerism. Voluntary Simplicity is a good starting place, becoming aware of our consumerism. We can also participate and engage in global protests through organizations such as Avaaz. We take action and get up close and personal with the crises, reduce our ecological footprint, bring ethics into business and the workplace, support science and diversity, and warn governments and corporations.

Where do we start? Of course we must think globally and be aware of the bigger picture and step beyond the smaller pictures of ourselves created from fear and disempowerment. Yet we can also act locally with great vigour in our families and communities. Our intentions then spread as ripples from a pebble dropped in still water. In addition to holding officials, politicians and corporate culture to account let us begin with the small things that all of us can do. While at the same time alerting the political and corporate decision makers that we do mean business as voters and consumers deeply concerned about the planet and our location on it. This is very important.  Our leaders are a manifestation of our collective will. When the collective will changes, our leaders will act differently.

A massive global citizen response will certainly elicit an equally massive government and corporate response, as the bottom-up movement and top-down strategies for drastic change meet and integrate. There is not room in this Global Ecological Emergency for separating into “US’ and “THEM” categories. We are totally interconnected whether we like it or not.  We will all live together or we will all die together. An intelligent and all-encompassing green ideology embedded in everything we produce and market is a means to bridge competing agendas.

Our dependence on fossil fuels reduces because we are aware of the deadly consequences of our addiction to oil and coal. The transition to a carbon neutral global energy system over the next few decades will be costly and require a massive response from government and corporate leaders to initiate a new industrial revolution. This is necessary to blunt the impact of climate change. It is a huge global industrial project that governments and corporations can bring about due to citizen pressure to “Make It So!” Climate Change has certainly entered public consciousness. It just has to penetrate the corridors of political and corporate power. As global citizens we must find the ways and means to support the shift in consciousness at all levels of global society to make this so. Our future existence, and the existence of other species on planet earth, depends on your making a new beginning for all of us.

Glance at the sun

See the moon

And the stars

Gaze at the beauty

Of the earth’s

Greening

 

Now Think

 

Hildergard of Bingen 1098 – 1179

Our World is Burning – More Reviews.

You can order “Our World Is Burning” ($19.95) and receive one FREE autographed copy of New Planet New World; or Redemption; or Trailing Sky Six Feathers; or Failsafe; or Meditation CD as a thank you. Indicate which item you would like, though it depends on inventory what can be sent. http://ianprattis.com/OurWorldIsBurning.html

  • Marianna van de Lagemaat, Herbalist Farmer

The words in these essays touch my heart deeply. For instance: “I don’t want to grow up and live in a world that is burning.” From the heartfelt cry of a terrified nine year old boy, Ian demonstrates in his thoughtful, gentle way how we can, through an awakened awareness, change ourselves as individuals, think mindfully, sustainably and globally as interconnected communities and thus heal our Earth and restore our humanity.

  • Koozma J. Tarasoff, Anthropologist, Peace Activist, Author and Photographer.

Ian Prattis’ new book is an urgent call for action in our troubled world. Environmental pollution, wars, violence, greed, ego worship and crass materialism are issues that urgently need to be resolved for the health of our Planet Earth and its inhabitants. Indeed, we need to release our bad thoughts to the soil and become informed. This is a book for the new generation who also need to nurture a respectful relationship to Mother Earth. Bravo, Ian, for helping to bring the tipping points of our consciousness closer to a critical mass for radical change. Master Story Teller and Healer with a vision for a new world.

  • Gayle Crosmaz-Brown, Master Drum Artisan & Spiritual Activator

Ian’s writing style keeps one motivated to keep turning the pages wanting to know more. His passion for sharing his insights and growth has no bounds, and triggers others to take action. May all who invest their time absorbing these pages find it in their own hearts to live the example being created within his prose. Ian is the stone being tossed into the waters of life. Let his ripple be felt on all shores.

  • Ute H. Webb

Ian has dedicated his life to engaged Buddhism, leading by example and guiding us to become guardians of the earth, always challenging us to reach beyond our comfort zone. Drawing on his deep respect for the teachings of Zen Master Thich Nhat Hanh, his long training as a Shaman, and his years spent as a Yogi in India, his knowledge, wisdom and reflections are timely and ever so pressing. He offers, and is, mindful engagement at its finest. In his brilliant conversation with young James in Chapter One he lays out the path we must choose. Failure to do so is summarized in his excellent Rant from the Future – Chapter Two. Rock on Ian!

  • Wendy Martin PhD

This collection of essays, dharma talks, and stories offers compelling examples of how to respond to the most serious social, economic, environmental and personal challenges of the Twenty-first century: inequality, climate change, addiction, consumerism, depression, violence, abuse.  Through integrating personal narrative with insights from Buddhism, anthropology, psychology, and ecology, Dr. Prattis examines the interdependent nature of the self, society and nature, as well as, the integral relationship between self-transformation and collective healing.   He illustrates how individuals can use mindfulness practice to cultivate awareness, as an ethical framework to guide actions, to create steadiness and equanimity, and to replenish body, mind and spirit.  This book offers effective tools and strategies to help identify and transform the causes, conditions and manifestations of our individual and collective fear, suffering and anger into compassion, courage, healing, awareness and mindful action.