All posts by iprattis

About iprattis

Author, Professor Emeritus, Ambassador for Peace. Spiritual Warrior for planetary care, peace and social justice. Zen teacher, poet, scholar, guru in India.. Public talks and retreats around the world. Ian encourages people to find their true nature, so that humanity and the world may be renewed. Founder of Friends for Peace: www.friendsforpeace.ca Ian - a poet and scholar, peace and environmental activist – was born on October 16, 1942, in Great Britain, Ian grew up in Corby, a tough steel town populated by Scots in the heartland of England’s countryside. Cultural interface was an early and continuing influence. Ian was an outstanding athlete and scholar at school, graduating with distinctions in all subjects and was dux of the high school – top graduating student. He did not stay to collect graduating honours, as at seventeen years old he travelled to Sarawak, Borneo, with Voluntary Service Overseas (1960–1962) - Britain’s Peace Corps. He loved the immersion in the myriad cultures of Sarawak and was greatly amused by the British colonial mentality, which he did not share. He worked in a variety of youth programs as a community development officer, and also explored the headwaters of Sarawak’s major rivers, with expeditions into Indonesian Borneo. He was acutely embarrassed to be written up in the home press as “Boy Explorer Discovers Central Borneo!” He knew he had not discovered anything, that Kayan tribesmen had kept him safe. He had an acute sensitivity and respect for other cultures and traditions, and knew he was privileged to be with skilled guides and trackers. He was adopted by the Kayan tribe as one of their own in Northern Sarawak and part of the initiation was the right to have an extensive tattoo on his left forearm, commemorating his journeys. Ian politely declined this honour, stating that it was not his custom. As a teen, he had a clear idea of who he was, though that clarity was frequently challenged and occasionally lost later in life. Returning to Great Britain after Sarawak was an uneasy transition. He did, however, manage to stumble through an undergraduate degree in anthropology at University College London (1962–1965), before continuing with graduate studies at Balliol College, Oxford (1965–1967). At Oxford, academics took a back seat to the judo dojo (where he earned a University Blue), rugby field, bridge table and the founding of irreverent societies at Balliol. Yet by the time he pursued doctoral studies at the University of British Columbia (1967–1970), his brain switched on. He renewed his passion for other cultures, placing his research on North West Coast cultures within a mathematical, experimental domain that the discipline of anthropology was not ready for. Being at the edge of new endeavours was natural to him, and continues to be so. He was a Professor of Anthropology and Religion at Carleton University in Ottawa from 1970 to 2007. Fieldwork amongst North West Coast American aboriginal populations and North Atlantic fishing communities was an early focus. Over the past thirty years an interest in native land claims has lead to ongoing fieldwork in Indian and Inuit communities, with an emphasis on training native leaders to conduct their own research process. He has worked with diverse groups all over the world and has a passion for doing anthropology. “It’s better than having a real job,” he says “everything changes, and the only limits are your imagination and self discipline.” His career trajectory has curved through mathematical models, development studies, hermeneutics, poetics and symbolic anthropology, to new science and consciousness studies. The intent was always to expand, and then cross, existing boundaries, to renew the freshness of the anthropological endeavor and make the discipline relevant to the individuals and cultures it touches. His highly acclaimed television course on “Culture and Symbols” drew on his novel perspectives, and Ian is exploring the possibilities of delivering the twelve videotapes of the course through an Internet homepage - a prototype for the Electronic University of the Future — no boundaries. His millennium project for the year 2000 created another twelve part television course on “Ecology and Culture.” This educational enterprise produces a cadre of environmental activists each year. In their final assignment, students are asked to select an ecological issue, then write a thousand word letter to a head of government, or CEO of a polluting industry, or to a Director of an environmental NGO. After careful research on the organization and ecological issue, students state specifically what they want the recipient of the letter to do. Students, by and large, send these letters and begin to translate their awareness about ecosystems and globalization into action – as does their teacher. The up and coming hard rock/blues band – SLYDE – has a keyboardist who was a student. SLYDE released a CD in 2011 titled Feed The Machine. It was inspired by the class text: The Essential Spiral: Ecology and Consciousness After 9/11. Who knows what they will do with the later books! He studied Tibetan Buddhism with Lama Tarchin in the early 1980’s, Christian meditation with the Benedictines, and was trained by Native American medicine people and shamans in their healing practices. He also studied the Vedic tradition of Siddha Samadhi Yoga, and taught this tradition of mediation in India (1996–1997). He was ordained as a teacher and initiator – the first Westerner to receive this privilege – and is recognized in India as a guru – Prem Chaitania. Since meeting Thich Nhat Hanh, the Vietnamese Zen Buddhist master – he found a way to take his experiences much deeper within himself. He received the Lamp Transmission from Thich Nhat Hanh and is an ordained Dharmacharya (teacher) in that tradition, giving dharma talks and retreats around the world. He has trained with Masters in Buddhist, Vedic and Shamanic traditions. He encourages people to find their true nature, so that humanity and the world may be renewed. He has taught children’s meditation courses as well as adult and advanced retreats from coast to coast in Canada. He travels widely on this beautiful planet and gives talks and retreats in Canada, India, Europe, the USA and South America. The basic commitment he holds is to make the world a beautiful place by encouraging people to embrace their true nature. His teaching focuses on the spiritual issues of the day and honors all traditions At the outbreak of the Iraq war he founded Friends for Peace Canada www.friendsforpeace.ca - a coalition of meditation, peace, activist and environmental groups to work for peace, planetary care and social justice. He is also the editor of an online Buddhist Journal and the resident Zen teacher of a meditation community, Pine Gate Sangha. www.ianprattis.com/pinegate.htm He received the 2011 Ottawa Earth Day Environment Award on behalf of Pine Gate Sangha. He writes poetry and had an edited collection published in 1985 – “Reflections: The Anthropological Muse.” The meditation teacher is not separate from the professor or the global citizen. He has six children and fourteen grandchildren from his first marriage. Later in life, as a respite, he lived in a hermitage in Kingsmere, Quebec, in the middle of Gatineau Park forest when his pet wolf was alive. Some day a retreat centre will flourish midst the lakes and hills of this incredibly beautiful area. His interests include cross-country skiing, hiking, canoeing and caring for the world of nature. He also enjoys Qi-Gong, gardening, playing baseball and swimming with dolphins. Ian now lives with his present wife Carolyn in the west end of Ottawa where the Pine Gate Meditation Hall is located in the lower level of their home. Since retiring from the university in 2007 he has authored four books on dharma, two on the environment, a novel and a legend/autobiographical combo and enjoys the freedom to create at his own pace. He has yet to discern the ordinary meaning of retirement!

CLIMATE CHANGE AND EXTINCTION

Ian Prattis, Professor Emeritus, Carleton University, Ottawa, Canada.

Climate Change and Extinction

Are we too late to chart a Beginning Anew for humanity? Can we engineer a communal Hero’s Journey to reconstruct society based on ecology, caring and sharing, while power elites ignore their complicity in the destruction of life on Planet Earth? Let us face it – the Industrial Growth Civilization is a system devouring itself, dislocating the organic structures of Mother Earth to the point that all species, not just our own, are at risk. It has taken us to a dangerous precipice. From there we stare into the abyss of climate change, ecosystem collapse, ISIL, resource wars, terrorism, white supremacy, permanent refugees and anarchy. Are we at an end game without a philosophy for the future?

How could the human mind capable of monumental achievements neglect the destruction of a lived-in-ecosystem? Our addictive dependence on carbon based energy propelled the downward spiral of devastation on our planet. The process was enabled because we allowed the environment to become an extension of human egocentric needs and values, an ego-sphere rather than an eco-sphere. In this ego-sphere we consume mindlessly in the global economy without regard for ecosystem balance; without any concern about creating inequality, poverty and ecosystem imbalance. Planetary care is not part of this agenda.

In the 1980s it was possible to make the leap to a zero-net-carbon world. Yet the opposite trajectory was chosen with a rapid increase in greenhouse gases, as wealthy nations and oil, gas and coal enterprises doubled their production of fossil fuels. We have had the scientific knowledge since 1980 to create the solution, but the obstacles were not technical or scientific. The obstacles are the attitudes, values and concepts that define the dominance of corporate values. Their bottom line of profits was upheld by successive governments that devalued science. It was never about the unanimity of science. It was about the brand of economics favored by the carbon cabal of extraordinary power that held governments in their thrall. The focus on the bottom line of economic wealth at all costs was very stupid. Big Oil and government created propaganda campaigns to promote oil and gas extraction, irrespective of the damage caused to ecosystems and populations. They produced false images of reforestation, utmost safety, deep concern for wildlife, populations and clean water. This played to receptive audiences yet decades later we find rivers and lakes occupying a wasteland. Oil derivatives swiftly poured through interconnected waterways. Indigenous populations world-wide that once augmented their households with fish, game and forest products are no more. They either relocated or died. This effectively torpedoed any form of transition to a sustainable, renewable economy.

Did anyone notice that degradation of the Earth’s ecology was the catalyst for radical Climate Change? Food crops were destroyed by horrendous heat waves as carbon dioxide poured into the atmosphere. Did no-one realize that food riots and world panic trace back to one cause, the economic agenda of fossil fuel extraction? The undercover deal between governments and fossil extraction corporations was invested in political and economic structures that centered on that same carbon combustion complex. This collective agenda destabilized world order.

Nathaniel Rich’s brilliant essay (NYT Magazine August 5, 2018) shows clearly that there was a decisive possibility – forty years ago – for a turning point. Only it was never taken. A small group of scientists, politicians and activists in America came to a broad understanding of the causes and dynamics of climate change. Put directly – the scientists had realized that the more carbon dioxide in the atmosphere, then the warmer Earth would become and in doing so – it would trigger a violent atmospheric wrecking of the planet. In 1979 they placed their findings and consensus to the highest levels of government and industry in the United States and around the world. The scientists included James Hansen – NASA climate studies; Gordon MacDonald – geophysicist; Jule Charney – meteorologist; Steve Schneider – environmental biologist; George Woodall – ecologist and many more world class scientists. Politicians such as Al Gore and lobbyist Rafe Pomerance took the scientific findings to the White House and to energy giants such as Exxon. The latter were distinctly uncomfortable about how much they would be blamed for climate change. Despite their early support, the energy giants quickly turned the dialog to finding mouthpieces that could state that the scientific findings were not translatable into global disasters.

The scientists, however, attempted to divert the catastrophe with a clear grasp of what was causing Climate Change. Their lobbying was straightforward from their meticulous scientific findings. Their emphasis to politicians and industry was about the freezing of carbon emissions and the development of alternative energy that did not create carbon dioxide. At that time, some forty years ago, it seemed to be a good idea to many world leaders. A consensus based plan, however, would not happen without American leadership. The United States was the obvious nation to lead such an outcome. It failed to do so, much to the chagrin and reputation of the scientists, as their findings were censored and belittled. They then became targets that the carbon cabal sought to undermine.

The evidence, however, was drastic. In 1990 more than 20 billion metric tons of carbon dioxide was placed in the atmosphere from fossil fuels. By 2018 it is in excess of 32.5 billion metric tons, accompanied by the deadly tsunamis, earthquakes, tornadoes, sea level inundations and water surges destroying low lying coastal regions of the planet. In 2019 Harvard Professor James Anderson asserts that present Earth carbon levels were last found in the Eocene Epoch – 33 million years ago. Due to present warming oceans he speculates that the amount of water vapor now in the atmosphere triggers storm systems that are violent to the extreme. This is now amplified by the breaking up of the Ross Ice Shelf, which stabilizes the West Antarctic Ice sheet. It is now melting 10 times faster than average and will soon be unable to block other glaciers. As it weakens, rising sea levels of several meters are to be expected. The obvious knock-on invitation is to create even more destructive cyclones, tsunamis and tornadoes that will destroy human habitation along with other species. Professor Anderson also notes, somewhat dryly, that while the sea-level rise is irreversible, university administrators still refuse to divest from fossil fuels! They prefer to join executives of the carbon cabal and media, which fail to fact-check statements made by politicians and corporate oligarchs.

The creature which enabled such an outcome is none other than fossil fuel industries supported by successive government regimes. This collusion successfully suppressed science, confused public knowledge with misinformation, and furthermore beefed up the blatant bribery of politicians. The carbon energy cabal funded million dollar disinformation campaigns. They paid select scientists to distort the truth and state that there was an uncertainty factor to the likely outcome of climate change – if indeed climate change existed at all! Oil and gas executives – and their billionaire backers – protected their profits, downplayed scientific conclusions as “uncertain” and deliberately dulled the intelligence of the general public. Their design was to control, delay and block binding climate change endeavors. Their pathetic, yet successful, message was to reframe climate change as a “dual energy challenge!”

In the spring of 2019 the UN committee on Biodiversity and Environmental Science issued a startling video with a report over 1,000 pages, which showed that one million of the planet’s species were facing rapid extinction from humans. The 145 experts were drawn from 50 countries. The 39 page summary places biodiversity alongside climate change and projects that, without co-operative global action, major biodiversity losses will continue to 2050 and beyond. Added to this list are – oceanic overfishing, burning of fossil fuel, land and water pollution and invasive species. Furthermore – three quarters of Earth’s land and 85% of crucial wetlands have been lost, making it harder for other species and us to survive. This 2019 report rings an alarm yet indicates that the world can actually reverse this crisis. A major block to such optimism is that climate denial is a baseline for Republicans in the US. They are unlikely to see any responsibility or reason to co-operate with any global agenda. Along with right wing politicians in many nations their divisiveness does not allow constructive contributions to emerge that can stave off the extinction of species. What is lacking are the practical solutions for government, business and communities. Alarms do not cut it anymore, particularly as drastic planetary change leaves organisms – including us – little time to adapt.

The 2019 UN video and Report confirmed the radical views of Elizabeth Kolbert who wrote The Sixth Extinction in 2014. The six-mile-wide asteroid that slammed into Earth 66 million years ago wiped out the dinosaurs and many other species. This was the fifth time that events almost eradicated life on Earth. The difference between the five prior extinctions on Planet Earth, and the imminent sixth, is that the present extinction is due to humans as the agents of mass destruction. Kolbert makes it very clear that the acceleration of the Sixth Extinction is mainly driven by the consequences of CO2 pouring into the atmosphere. The world is changing faster than species can adapt – and that includes us. Are we likely to rein in our economic growth, our carbon emissions and toxic pollution?  Paul Ehrlich in 2014 wryly states, “In pushing other species to extinction, humanity is busy sawing off the limb on which it perches.”

I do not think the UN in 2019 offered solutions – just alarms, while the world carries on with life as usual.  This is unfortunate as “life as usual” is no longer an option when the carbon cabal holds all the cards. They continue to promote propaganda to the tune of 200 million dollars per year to bring down the “bogus” climate change agenda – and that includes everything that the UN so carefully delivered in the spring of 2019. The corporate oligarchy is clearly criminal as the mass of humanity is presently being wiped out. In spite of the excellent and provocative UN Video and Report in 2019, the carbon cabal maintains a very long arm. Their organization is presently paying selected scientists to promote the position that the existing evidence on climate change does not support crisis warnings. This is a bought and sold lie. Everyone knows the lack of truth – the US government, oil and gas companies, industrialists, politicians and so on – all know the truth. To keep the bottom line of profits in their favor, they are willing to accept that human civilization would be destroyed in the not so far future – a very unusual suicide pact.

I ponder on MLK’s quote: “The hottest place in Hell is reserved for those who remain neutral in times of great moral conflict.”

 

EXTINCTION

I am embarking on my 18th book – perhaps the most difficult yet. It is titled BROKEN GLASS, which is about our broken world – particularly with respect to the impending Extinction brought about by Climate Change. The difficulty for me has been the darkness of Extinction and the pacifying alternative of Impermanence. Yet my writing so far has brought this steadily my way to document. I have drafted an Overview that sets the scenario. This will take a while with research, writing and persuading my publisher to run with it. http://www.ianprattis.com

OVERVIEW for BROKEN GLASS 

I Had a Dream                                                                                  

 I dreamed I was in a river running kayak, sitting quietly in a pool outside the swift eddies racing to the edge of a waterfall that was huge, sheer, with a vertical drop of 1,000 feet. The kayak was bright yellow, the short stubby craft an extension of my body. My wetsuit was black and I wore a red lifejacket tightly fastened. My helmet was also red. The shaft of the paddle was black, the twin blades a dancing red. I looked around at the high mountains and forest, noticing the mist rising from the swift flowing river. Then pushed the kayak into the racing eddies straight to the edge of the waterfall. As I went over I raised the paddle high over my head and leaned back. I did nothing to steer or guide the kayak. The descent seemed forever – timeless. Yet in a moment my craft had submerged into the river below and then I was bobbing on the surface paddling downstream. My first thought in the dream as I manoeuvred close to the river’s edge was “That was a really bad run. I didn’t do anything.” Then moments later in the dream I stopped my thinking, realizing that it was the perfect run, precisely because I did not interfere with forces greater than mine. My lack of insight had missed the surrender to the fierce current of the waterfall, to the awesome power of the stream of consciousness. The surrender to the stream of consciousness was far more important than I realized. The dream lingered in my mind long enough to reveal that my literary works were the stream of consciousness – just different pearls on the same thread.

I had flown into the small airport of Castlegar in the Kootenay Mountains of British Columbia for my son’s wedding in the summer of 2009. The short hop over the Rockies in a Dash 8 aircraft from Calgary was spectacular, especially the flight into Castlegar airport. The wingtips seemed to touch the valley mountains as the aircraft swerved sharply into the river fringed village of Castlegar. My son Iain, his bride to be – Nancy – and my grandson Callun were there to pick me up and deliver me to where I was staying that night in nearby Nelson. The wedding ceremony was the next day in the Tibetan Buddhist Gompa.

The unforgettable dream, vivid in every detail, took place that evening in Nelson. I shared this dream with Iain and Nancy next morning, so they could perhaps see for themselves the surrender to the other, necessary for their marriage to work well. They understood. Their dharma and mountain friends enjoyed an incredible wedding in the Tibetan Gompa. There was a mountain of alcohol at the reception and dance afterwards, bottles of wine, beer and whisky with a line of glasses for Mai Tais. Yet hardly anyone drank, as the “high” was the quality of celebration and surrender in the wedding ceremony.

I have thought about this dream a great deal over the past decades and the reflections were revealing, though difficult to address. Where was it taking me? I eventually realized it was into the dark space of Extinction of our species. That was a shock that went through me.

The creation of my 2008 book – Failsafe: Saving the Earth from Ourselves – was part of this surrender though I did not realize it at the time. It was written from an unusual place and was also the midpoint for two trilogies of books. Several years ago at the beginning of spring after a severe winter in Canada, I participated in a sweat lodge ceremony with respected elders from the Ojibwa, Dene and Mohawk First Nations. We made deeply personal and collective commitments to serve the Earth. At the end of the ceremony we emerged into the pristine beauty of a late snowfall under a clear star studded sky. There had been a two-inch snowfall during the ceremony. As we walked barefoot to where we were camping I turned round and saw our footprints in the snow. It seemed as though these were the first footprints on the new Earth. I gestured to my companions to stop and look. They silently shared the same insight with soft smiles. In that instant the stillness and silence renewed our commitments to serve Mother Earth with all our hearts and minds. That was the moment when I became integrated with the Wisdom of the Elders.

Failsafe was born from that moment at the end of winter in 2006. It was published in October 2008.  I was giving a talk about this experience to an audience in Vancouver and suddenly found myself talking about two previous books I had published and the next three books not yet written. Failsafe was the midpoint. All these books were writing me, although I was not aware of it. Each book had issued forth from the experience of profound silence, a life work writing me!  It took me years to wake up to this. The first book in this trilogy  Anthropology at The Edge was published in 1997, followed by The Essential Spiral in 2002 and Failsafe in 2008. They talk to you from the seasons of my life.  My insights, disasters and occasional breakthroughs are the basis for this abundant creation.

These books were university text books and the basis for two television courses. They investigated the necessity of changing the mindset of humanity in order to combat Climate Change. I wrote about a Failed Genetic Experiment, though did place a question mark after “Experiment.” I knew that if we continue to turn our beautiful rivers into sewers because of our endless greed and neglected ignorance, there is no place on Mother Earth to sustain our present civilization. It will join the trash heap collectively created by mindless generations of humanity. We have allowed the environment to become an extension of human egocentric needs and values – an ego-sphere rather than an eco-sphere. In this ego-sphere we consume mindlessly in the global economy without regard for ecosystem balance or our creation of vast inequality and poverty. Planetary care is not part of this agenda.

My deepest hope, however, was that our innate knowledge would somehow become manifest as we interconnect with a vast counter culture that is no longer a minority, no longer asleep or disempowered. Diligent mindfulness can change our brain structures in the direction that permits new paradigms of behavior to come into form. As cells in the ecosystem of Gaia, it is as though humanity can align their neuronal networks with principles of ecosystem balance, ethics and responsibility. The plan in my mind was that the critical mass would arrive and amount to a collective tipping point for our species. Once the ego-driven mind is reined in, then clarity and compassion are suddenly there to provide the basis for how we can be with the planet and with one another in a totally new way. This is what happens if we “Begin It Now” – the concluding words to Failsafe: Saving The Earth From Ourselves.

The following book – Earth My Body, Water My Blood – was co-authored with students in my last university class on Ecology and Culture. The students brought passion, insight and sheer hard work to investigate the basic components of a new social and economic form for the 21st century – eco-community. It was based on the Five Great Elements – Earth, Water, Air, Fire and Space – inherent in all aspects of life. The driving force adopted by the students was from the feminine representation of enlightenment. I have always thought of the present millennium as the century of the daughters. Not so much as a gender separate phenomenon, but as attributes of a holistic, nurturing presence of mind. These principles have parallels with Vedic philosophy and are found in Indigenous, Chinese and Western Alchemical traditions. Circles within circles all interconnecting – beautifully expressed by the Oglala Sioux medicine man, Black Elk, as the interdependent hoops of all nations and traditions. The students had decided on a profound template for this collection. Their adventure to establish eco-communities reflects the shift in mindset required to salvage the global ecosystem for human habitation. Our present values and patterns are the architects of the present global ecological emergency. We are our environment. Whether we live in a rural or urban locale, in the industrial or developing worlds, our mindset has to be focused on living as one component of Gaia’s ecosystem.

The second trilogy after Failsafe begins with Redemption. It was a lost manuscript, first written in 1975. I rediscovered this heartfelt book in 2011. The narrative was vivified with hindsight from my writer’s eye forty years later. The story is an allegory for life difficulties I experienced at that time. I was a real mess, yet despite my desperate state of mind this novel about Awakening emerged. Laced with grim humor, the novel has nature’s harsh and beautiful rhapsody as the background for tragic human failings. Redemption is set in The Hebrides, islands off the northwest coast of Scotland, with startling cycles of maturing and downfall of the epic character, Callum Mor. He was a gifted child, master mariner and derelict drunk, who eventually gains wisdom from a hard life’s journey. Redemption reads like an extended prose poem reflecting the primal forces of nature and of human nature. The starkly gorgeous and remote island setting creates and reinforces the central themes of struggle, family, community and wonder at the beauty of the world. Redemption alludes to more than what is openly stated. Every scene provides a striking visual clarity that mystically slips into the realm of timeless storytelling. All of this provokes the tapestry for deeper, more subtle messages of compassion and faith to carefully unfold.

Book Two of the trilogy, Trailing Sky Six Feathers, is a Hero’s Journey – as if Indiana Jones meets the Buddha with a dash of Celestine Prophecy. Shamanic healing of childhood sexual abuse, guru training and near death experience in an Indian ashram has this author stumbling through the first part of life, then standing strong in his own sovereignty in the latter part. Past life memories collide head on with the present.

With a voice steeped in authentic experience, I navigate past and present lives over four centuries; from brutal raids on Indian settlements in 18th century Arizona, insane sea voyages off the Scottish Hebrides in the 20th century, to a decisive life moment of surrender to the Muse in the 21st century. These epic tales weave seamlessly to create inspiration for a wide range of fellow spiritual seekers. The genre is legend mixed with autobiography.

In New Planet, New World, I bring the 18th century to collide with the 21st century. Time, culture, space and consciousness are fused across centuries to create the final book of this trilogy. New Planet, New World provides a counterpoint to the demise of modern civilization. I chart a Beginning Anew for humanity, a communal Hero’s Journey to reconstruct society based on ecology, caring and sharing, as power elites ignore their complicity in the destruction of life on Planet Earth. This adventure is not without risk or cost. The clash of centuries opens Chapter One with a lyrical and dangerous meeting on a distant planet in 2080. The protagonists are from different centuries and cultures. The dark episodes and lyrical passages move the story along with action, fear, resolution, death, execution, bravery and exile in a futuristic opportunity for humanity. This action packed book of intertwining plotlines arc into the epiphany of the final chapter, which muses about human survival anywhere. This end game is a philosophy for the future. The reader now begins to harken to the rip tides of this futuristic novel and anticipate just where I am going!

In my career as an anthropologist I was fortunate to encounter many First Nation story tellers across North America: Dene, Hopi, Ojibwa, Algonquin, Inuit – to mention a few. Their poetic recounting of myths and history had a deep impact on how I thought and wrote. I would say that without poetry cultures implode. Four extraordinary indigenous medicine people enhanced my process of remembering the power of the poetic voice. Through their mentoring, I learned how to reconfigure my understanding of time, place and consciousness. I chose to listen to the feminine voice of Earth Wisdom rather than the multitude of competing voices in my deep unconscious.

This direction of my writing found its foundation in poetry. I made a radical turn to reconstruct anthropological methodology as the poetic voice was required for anthropological investigation of the cultural other. The language of the anthropologist could not represent raw experience about field work. therefor poetry is philosophically essential to the work of anthropology. I saw poetry as an uninterrupted process whereas field notes were not. I suggested to colleagues that the poetry of observation is what anthropologists are supposed to do.

To prove this, I called on forty brilliant anthropologists, many of them senior icons in the discipline, to send me the poems they wrote while studying the cultural other. Much to my surprise the American Anthropological Association (AAA) published the ensuing book I edited. In 1985 Reflections: The Anthropological Muse was released by the AAA at their annual conference and held up as a new direction for the next century of anthropology. Here’s why.

My basic contention, shared by many other anthropologists, was that something crucial was missing from field work. The study of other cultures had often become pseudo-forms, which were neither true to the cultural other or to the science of anthropology. I proposed a poetry of observation in order to close the epistemological gap between observer and cultural other. In this way the poetic dimension became a crucial part of the developing methodology of anthropology. It had the function of revealing what has been suppressed and ignored. Anthropological poetics at the level of “interiority” is a distinctive account that the accepted discourse in anthropology at that time did not convey.

I wanted a different kind of anthropology, one that will engage dialectically with the cultural other and express it in a way that is useful for the other culture and my own society. Reflections: The Anthropological Muse changed the manner in which anthropology is justified and practiced.  Anthropologists who commit themselves to poetry in order to say something different about field experience are the tricksters and shamans of the discipline. I have been described as much worse! Though do believe that  I am part of a basic radicalization of the discipline and an evolution into a different kind of anthropology. A continuation of this radical perspective emerged several decades later when I brought out a personal volume in 2018 – Painting with Words Poetry for a New Era. Some words from Five Star Reviews may bring that piece of the thread home.

Kathryn Bennet wrote:

“I read this book three times before settling in to write this review. Each time I felt that I uncovered another layer with the collection of poems that I had missed the last time through. To me there is something truly magical about a work that can do that…….The poems strike right at the heart of the journey the author himself has taken in life, and yet it also has an ability to resound with others…….You can see the images come to life before your eyes as you read….This collection of poems takes the reader through the full gamut of human emotions. The author has masterfully used his own life experience to transport the reader through this journey, while striving to leave a mark directly on the reader’s heart.”

From K.C. Finn:

“Shying away from the old fashioned traditions of symbolism and imagery, the work expresses an emotional outcry in a raw and direct form, creating powerful auditory moments to express the highs and lows of the human condition………What results is a work which runs the full spectrum of emotional consideration, taking a singular personal experience and reaching for the qualities which make it universal to all…..The poems are direct in address, but spiritual and philosophical in the message they leave lingering afterwards.”

Romuald Dzemo speaks:

“A collection of poems thematically arranged that reflect the very soul of humanity, filled with imagery and rhythms that mimic the different seasons of the human soul. The poems in this collection bear witness to what readers feel, perhaps in the hushed hours of the day; emotions, thoughts, feelings, and realities that allow readers to connect with the things he writes about…….The voice is powerful, the poetic lines rhythmic, and the entire collection is filled with powerful imagery……..I love the depth in Ian Prattis’ poetry and the beauty in the rhythm and richness of its diction…….For instance: “A week in the life/ of a poem/ has words racing to knowing’s edge.” Here is another: “Phrases creep/ over the dawn of logic/ suspended then gone.”

I also brought out four e books on Buddhist Dharma and placed them on Amazon Kindle, Keeping Dharma Alive Volume 1 & 2; Portals and Passages Book 1 & 2. I was assessing this path as a way to handle the incoming extinction I felt was so imminent, placing dharma and environment in sync with one another. In my television course on Ecology and Environment I presented the Five Mindfulness Trainings from Buddhism as being nothing other than Environmental Ethics. Our World Is Burning My Views on Mindful Engagement soon followed. The sixteen essays offered examples of how to respond to the most serious social, economic, environmental and personal challenges of the Twenty-First century. I thought Mindful Engagement would be a tenable tool to cultivate awareness as an ethical framework which would guide actions, create steadiness and equanimity, and furthermore replenish body, mind and spirit. The book was offered as a lightning bolt to singe incredulity and cynicism.

The reviews of this book reinforced my attempt to create an authentic tapestry about the state of the world and how we could best engage with it. I could only draw from my experience and hope that would be enough for the reader. My approach to life comes through experience, crises, difficulties and joys that may have common ground with many readers. To the best of my ability, I endeavor to follow Gandhi’s principles of ahimsa and the teachings on mindfulness. These are the guidelines and foundations for my peace and environmental activism. I live very simply as a planetary activist. I am a Zen teacher, also a recognized guru in India. My initial task is to refine my own consciousness – to be a vehicle to chart an authentic path. The focus on daily mindfulness from my Zen practice enables me to be still and clear. From this energy the poems, chapters and books emerge.

My activism is a result of my internal work. Steadiness, clarity and compassion are within me, rather than ego posturing from the lunatic fringe. Though there was certainly a “rush” from the latter, I prefer the still-point, uncoloured by the excess of ego and desire for recognition. Such a still-point permits me to be free in my own sovereignty, no matter what I am doing. It also propels me to serve the planet and humanity by creating bridges and pathways of harmony.

My writing delivers a vigorous message about personal transformation in order to become different stewards of the earth and society. In the Sixteen Essays of Our World is Burning, I offer reality-based information that is in high demand in today’s society, which provides the potential for my projects to become fresh, new icons for today’s hungry culture. Hungry, that is, for authentic transformation. It takes training, practice, intelligence and creative vision to find the drive to create a tangible spirit of co-operation, the willingness to share and be supportive, and learning how to cross the bridges of conflict. This thread of understanding finds a place in every essay in Our World is Burning.

However, my attempt to get mindful engagement across to society was not successful – very little changed. So I have to up my game, as it were, and steadily examine the Darkness and Extinction that is rapidly drawing closer to wiping humanity from this planet. In this present work – BROKEN GLASS –  I am developing a perspective to handle Extinction well – though I find it difficult to write about Darkness and Extinction. So I draw on sages, Wisdom of the Elders and attempt to face Extinction with bravery and a developed consciousness. I am encouraged by a quote from Thich Nhat Hanh:

Someone asked me, “Aren’t you worried about the state of the world?” I allowed myself to breathe and then I said, “What is most important is not to allow your anxiety about what happens to fill your heart. If your heart is filled with anxiety, you will get sick, and you will not be able to help.”

This takes me to recognize the significance of impermanence, which could be deemed a pacifying response to ecological apocalypse and the Sixth Extinction. Protest and rebellion to a nation’s inadequate attempts about Climate Change are unlikely to succeed. Protest and rebellion may be thought of as the alternative to impermanence – but they will certainly be brutally dispersed by national police and military. Thus the outcome of Extinction remains unstoppable before our eyes.

There is a Sequence to unravel the competing outcomes, captured with difficulty, though logic may sustain a rally.

Part One: Broken Glass is candid and brutal. It opens the darkness. It begins with a futuristic analysis of Climate Change and the inevitable fate provided by the suicide pact engineered by corrupt corporations for most of humanity. The next essay is about the Children’s Strike for Climate instigated by Greta Thunberg. I admire this magnificent young woman as she impacts generations and perhaps some politicians. Yet, the corporate oligarchy will not budge from their greed and power. They have already bought and sold governments. They will certainly gut the possibility of restraint with respect to Climate Change, thereby dashing the bravery of children worldwide. The emergence of Extinction Rebellion – a global grassroots environmental organization – is a disruption I fully support. The target of Extinction Rebellion is the existing political establishment at the beck and call of corporate cabals. Such very powerful financial interests, creators of Climate Change, will not allow their power and control to slip away. Inevitably this escalates to the collapse of societies amidst violent revolution.

Part Two: Facing Extinction begins with an understanding of impermanence, drawn from Buddhist perspectives that make sense. I add three stories that provide different faces of Extinction. Only one of them is uplifting.

Part Three: All My Relations rests on indigenous wisdom. Four stories that bear on the wisdom holders who patiently taught me their lore about Mother Earth.

Part Four: Hello Darkness is a relief from the darkness. Four stories about bravery – from India, through the eyes of a terrified nine year old boy, a futuristic gift from the Hopi and a moment of awakening.

Part Five: The Muse. Three poems to provide a stamp on the whole offering. The final poem draws on Ancient Wisdom, appropriately defining an alternative way that may no longer be available.

I return to the dream of the waterfall with a vertical drop of 1,000 feet. This was where I surrendered to the awesome stream of consciousness pouring through me. One thing it has taught me – the many books created are one body of work that culminates in “BROKEN GLASS.”

Part One – Broken Glass

  1. A Candid Look at the Future
  2. The Children

Part Two – Facing Extinction

  1. Manifesto of Extinction
  2. Love Lost and Dark Shadows
  3. Solace of Winter
  4. Torched

Part Three – All My Relations

  1. Remembering
  2. Wolfie’s Life in Death
  3. Four Arrows
  4. Sacred Stalker

Part Four – Hello Darkness

  1. Through Nine Year Old Eyes
  2. The Transfer Particle
  3. Transformation in India
  4. The Ewe

Part Five – The Muse

  1. Vietnam War Memorial
  2. Cabinet of Bigotry
  3. Ancient Wisdom

Three Five Stars for Painting With Words

Some words from Five Star Reviews may bring the book alive for you. You can pick it up from the author or order it online, details at: http://ianprattis.com/PaintingWithWords.html

 

Kathryn Bennet wrote: “I read this book three times before settling in to write this review. Each time I felt that I uncovered another layer with the collection of poems that I had missed the last time through. To me there is something truly magical about a work that can do that…….The poems strike right at the heart of the journey the author himself has taken in life, and yet it also has an ability to resound with others…….You can see the images come to life before your eyes as you read….This collection of poems takes the reader through the full gamut of human emotions. The author has masterfully used his own life experience to transport the reader through this journey, while striving to leave a mark directly on the reader’s heart.”

From K.C. Finn: “Shying away from the old fashioned traditions of symbolism and imagery, the work expresses an emotionally outcry in a raw and direct from, creating powerful auditory moments to express the highs and lows of the human condition………What results is a work which runs the full spectrum of emotional consideration, taking a singular personal experience and reaching for the qualities which make it universal to all…..The poems are direct in address, but spiritual and philosophical in themessage the leave lingering afterwards.”

Romuald Dzemo speaks: “A collection of poems thematically arranged that reflect the very soul of humanity, filled with imagery and rhythms that mimic the different seasons of the human soul. The poems in this collection bear witness to what readers feel, perhaps in the hushed hours of the day; emotions, thoughts, felings, and realities that allow readers to connect with the things he writes about…….The voice is powerful, the poetic lines rhythmic, and the entire collection is filled with powerful imagery……..I love the depth in Ian Prattis’ poetry and thebeauty in the rhythm and richness if its diction…….For instance: “A week in the life/ of a poem/has words racing to knowing’s edge.” Here is another: “Phrases creep/over the dawn of logic/suspended then gone.”

 

Vesak in Ottawa, May 5, City Hall 10am – 2pm

The roaring beat of Cambodian temple drums opens the day with a bang.  They are followed in procession by the monastic Sangha walking mindfully to their places next to the podium, led by Bhante Savath from the Cambodian Temple in Ottawa. From the monastic chanting all the way through to the finale – the day unfolds in a majestic way. City Hall is decorated with beautiful artwork, food tables and booths for Asian embassies and other community groups for this celebration of Vesak Day. It is always a stunning day.

Asian Buddhist communities in Ottawa – from Cambodia, Vietnam, Korea, Indonesia, Laos, Sri Lanka, Taiwan and Thailand – created this Vesak Celebration with Visita Leelaratna organizing the many parts of the day. He is the founder of this celebration. The first Vesak Festival in 2014 received guidance from three spiritual advisors – Master Bon Dat, Bhante Rath Sam and Dharmacharya Ian Prattis. They each come from different Buddhist traditions in Ottawa and three different countries – Vietnam, Cambodia, Canada. They established a common cause to spread the seeds of Buddha Mind across Ottawa by creating an atmosphere of generosity, humility and kindness.

The Vesak and Asian Heritage nature of the event brings messages from the Governor-General, Prime Minister of Canada, and the Mayor of Ottawa. This is a wonderful support for multi-culturalism and interbeing from all levels of government in Canada. The vigorous Lion Dance from the Vietnamese Youth Group always lights up the crowd. A talk on Loving Kindness is offered by the Buddha Meditation Centre in Toronto. Lawrence Greenspon also talks about his tour of Buddhist World Heritage sites in Asia. Connections are made, bridges are crossed and the organizers and audience went home very happy.

Here is some background about Vesak and the Buddha.

Buddhism is based on the teachings of Siddhartha Gautama, the Buddha, who lived and taught in India ca. 2,600 years ago. 550 million people in the world identify Buddhism as their religion or way of life.

Vesākha Day is the day Buddhists remember the birth, the enlightenment, and the passing away of the Buddha. The United Nations marks Vesākha Day as an official holiday, worldwide. As Buddhism spread from India, it was adapted to many cultures, and consequently Vesākha Day is celebrated in many different ways in various countries, such as China, Japan, South Korea, Indonesia, Sri Lanka, Vietnam, Burma, Tibet, Bhutan, Thailand, and Nepal, the birthplace of Siddhartha Gautama.

Some will visit their local temple before dawn, to raise the official Buddhist flag, which represents a rainbow. Some may bring simple offerings of flowers, candles and incense, which serve as a reminder that just as the beautiful flowers will wither, and the candles burn out, so too is life subject to impermanence. In some countries, birds and animals are released in a symbolic act of liberation. Vesākha Day is therefore a time when we reach out across the various Buddhist traditions to celebrate, and to non-Buddhists to enjoy dialogue and harmony.

And that is what happens in Ottawa City Hall on May 5, 2019!

Poetic Voice

                                              

I will talk about the Poetic Voice and “Painting with Words, Poetry for a New Era.”

In 2017 I published a book of essays titled “Our World is Burning: My Views on Mindful Engagement.” Once I sent it off to the publisher I had to clean out my filing cabinet, which was a total mess. In the process of dumping stuff I was surprised to come across a folder with 60 years of my poetry stuffed in it. Most of it was garbage, but there were sufficient gems to feature six distinct thematic moods to capture the shared aspects of human experience.

It all started during my teenage expedition to Sarawak, Borneo (1960 – 62). This was with Britain’s Peace Corps. I kept a journal of the vivid surrounds and how I was feeling. From that time on I scribbled poetry wherever I went, accumulating poems that reminded me of the experiences. Later on in life, my extensive shamanic training with First Nations medicine people was also carefully logged. Those notes and poems were a sign-post to always be authentic. In my career as an anthropologist I was fortunate to encounter many First Nation story tellers across North America. Their poetic recounting of myths and history had a deep impact on how I wrote. I would say that without poetry cultures implode.

My first book – Redemption – was written in 1975. I refer to this novel as I wrote it as an extended prose poem. It became a lost manuscript as I did not know how to get published at that time. In 1975 I was writing way over my head and lacked the maturity to understand the deep nuances emerging from my pen. Redemption was writing me and it is fitting that it was not published until 2014. It reads like an extended prose poem reflecting the primal forces of nature and human nature. The time lapse allowed me to grow into the insights and revelations writ large. I was a total mess in 1975 – with a failing marriage in the Hebrides and trying to keep my career intact as a young professor at Carleton University. I was not doing a good job with either. The surprise for me in 2014 was how did I write such a powerful poetic novel while in a desperate state of mind? This background brings me to “Painting with Words” – my latest book

PART ONE: BITTERSWEET

It growls rather than sings – a side show malady of words I sometimes prefer to hide. It relishes what I failed and flailed at – my discomfort with relationships, hierarchical structure and all that is phony. Growing up I was acutely aware that I was a maverick – on the outside looking in. I saw more clearly and deeply than allowed.

The poem Punk Palace in the Moonlight presents a sudden shift in the first mood. This poem is about my son – lost in the drug underground of Glasgow, Scotland. I went there to bring him out. Punk Palace in the Moonlight is a collaborative poem composed with my son. We took turns composing lines of a poem to the moon. I cannot discern where he began and where I ended, which is perhaps just as it should be.

Punk Palace in the Moonlight

Moonlight speaks of a morning passing by

life crisis turns beyond wreckage

preventing boundless life entering grim death.

The moon a delicate mistress

veiled by fleeting clouds and mysteries.

It makes the stars and galaxies dance.

The moon does this,

with all that is in me.

This gateway to boundless space

is a door for my troubles and joy.

For I am in the moon and stars

and they are in me.

We dance together

– Now Bright; Now Turbulent

Now Lost; Now Found –

Beyond any sense or reason.

And the night sky casts movement and hues

to something I touch

with that in me.

The full harvest moon

rises from banks of pastel grey,

pacing existence

through the rhythms of our universe.

Glasgow, Scotland. September, 1995 

PART TWO: PAINTING WITH WORDS

Part Two displays my passion for nature, the colourful images of nature’s cycles and its “undeterred rhythm” of change. I remember as a child how I blithely assumed that nature walked me when I cut school to roam the forest and rivers near my home. As a child I had special relationships with wild animals, in particular with one otter and a family of hedgehogs that I kept under my bed. My parents were long suffering over the stray animals I brought home, but their patience was severely stretched over the hedgehogs. They had to be returned to the forest when I became infested with their fleas, which I passed on to my immediate family, classmates, and also to a particular schoolteacher that I did not like.

My poem “Weaving in the Forest” paints the image of a lake, awakening the senses to the striking beauty of the depicted scene.

Weaving in the Forest

 

Let me share it.

This symphony of autumn color,

cascading melody from a sky

pastel grey and fiery red.

Descant to the dancing tones of

a painted forest

cooled by lush evergreens.

 

Sensual beauty,

rhapsody of forest and sunset sky

fused a golden sheen,

caught in a still lake.

Waiting with patience

beyond time and space,

A pause to reflect this moment of

splendor –

Weaving

Lac Philippe, Gatineau Hills, October, 1992

 

PART THREE: AGUA VIVA and PART FOUR: FOOTSTEPS OF THE BUDDHA

I will run together Part Three: Agua Viva and Part Four: Footsteps of the Buddha. They are both about the spiritual journey at different times. Agua Viva (in Mexico) provides poems about my clumsy emergence to new understandings. They are very different from the more mature Part Four – Footsteps of the Buddha.

I met a visiting Rishi to Canada in 1995 – a holy man from India who recognized me and insisted I go to India for spiritual training. In November and December of 1996 I became seriously ill in India. As I observed my bodily systems crashing one by one I knew there was a distinct possibility of death. I was living in a small ashram in the city of Mumbai – reserved for saints and holy men. I did not qualify for either category yet felt their grace at hand. One humorous manifestation of that grace occurred one morning when I woke up and opened my eyes to greet one of my swami mentors. He smiled broadly and said in his wonderful Indian accent:

“We are all so happy Ian that you have decided to die with us in India, if indeed you are to die. And we will be most happy should you live.”

I went back to India six years later. My wife Carolyn and I embarked on a pilgrimage – In The Footsteps Of The Buddha – through North India and Nepal in February 2003. I created six insight poems that provide a glimpse of experiences that are too immense to otherwise communicate. The Footsteps of the Buddha pilgrimage was full of wonder and miracles. It was a journey to the center of being so that everyday life becomes a pilgrimage.

 PART FIVE: SPEAKING OF TRUE LOVE

I do not have the credentials to speak of this lofty pinnacle. My relationships through time hardly equipped me, as I stumbled through ignorance, stupidity (mostly mine) and unhappiness. My mistakes were legion and I eventually decided to live alone. I found a spacious cabin set in the Gatineau Forest across the river from Ottawa.

An old friend pierced that bubble. She was taking ballroom dancing lessons and asked me to accompany her, as her partner was unable to do so. At the Jack Purcell Centre in Ottawa, an elderly Jamaican gentleman was our instructor. He was charming and had all the moves to put us through the paces of ballroom dancing. I noticed an attractive blonde woman always dancing the male part with her female friends – all from the same office. Her name was Carolyn. I asked if she would like to dance the female role with me. Her wide green eyes and gentle smile said it all. The following week of dancing with her was magic. Not once did I tread on her toes during the intricate passages of the Quick Step and the Fox Trot.

Before leaving that evening, I asked if she would like to meet my wolf. As soon as these words came out of my mouth, I thought she must think this was the worst pick-up line in the world. She paused, smiled and then said “Yes.” I did, in fact, have a pet wolf in the back of my truck. He had found me in the Mt. Currie forest in British Columbia. He played his part beautifully. I rolled down the window of my truck and Carolyn could see his magnificence. He had a russet brown coat with white forelegs and face. He rested his large paw on Carolyn’s shoulder and gently licked her cheek. It was an instant match. She told me much later that she fell in love with the wolf first, then thought that there must be something about the fellow who had him.

The thematic focus of these poems is a celebration of souls mirroring each other, bonded in a union reminiscent of twin flame bonds. They remind me of the Romantic period in English literature, or the Sturm and Drang of the German poetic expression, where ecstatic feelings prevailed over the poetic form. Here is a taste: “Our soft spoken adoration blows on dandelions, creating parasols drifting to fertile ground” – PAUSE – that begins one of the many verses.

PART SIX: ANCIENT WISDOM

PART SIX – ANCIENT WISDOM was written when I accompanied two friends on the first leg of their cross Canada canoe expedition.

My creation of this epic poem had a double focus. I wanted to leave a document about Canada’s wilderness for my grand-children, so they could be inspired by Mother Earth. I also wanted to weave in the Wisdom of the Elders, to speak about Canadian waterways from the reverence of First Nations.

Painting With Words Poetry for a New Era ends with this thematic focus on Ancient Wisdom – pulsating with the rhythm of the river, the spirit of nature of its ancient inhabitants. In spite of being exposed to the merciless harshness of the elements, the poet – that is me – still smiles because I am a part of this world just like a tree or a rock.

The connection between humans and nature is illustrated in the poem about a solitary tree and a man. In each other’s presence, their feelings of aloneness vanish.

The Forest

In the forest a great many entities

of the earth and sky speak of before

and what is to be.

Clearings sunk into the earth

await further visits.

In the center of one clearing

stood a single tall aspen

Waiting for companionship,

fragile in its aloneness,

in her aloneness,

in our aloneness.

I stand within her circle

– this tree and I –

and for a brief moment,

neither were alone.

To finish I would like to bring to your attention a 5 STAR review which inspired the writer of it to start writing poetry again. READ.

Kathryn Bennett writes:

I have to be fully honest in saying I read this book three times before settling in to write this review. Each time, I felt like I uncovered another layer with the collection of poems that I had missed the last time through. To me, there is something truly magical about a work that can do that. You can see the images come to life before your eyes as you read. It was truly a pleasure to be able to read this collection of poems and it has inspired me to look back on some poetry I used to write and perhaps to start doing so again. I would highly recommend this book to any reader who loves a journey and wants to find themselves mesmerized by the written word.

 

Greta Thunberg and March 15, 2019

In Sweden 2018, 15 year old Greta Thunberg sat outside the Swedish parliament with her water bottle, books, snacks and a homemade sign “SCHOOL STRIKE FOR CLIMATE.” Every Friday she left her school to do this. She says “No-one was interested, so I had to do it myself.” She was not alone for long. A flyer from her stated: “You grownups don’t give a shit about my future.” Sweden’s newspapers and reporters soon flocked around her. She still strikes every Friday. She spoke at the UN climate talks in Poland and called out world leaders for not being mature enough to tell it like it is. “Even that burden is left to us children” was part of her address to the global business elite at Davos. She even told the EU to double its climate change reduction targets as this would be its fair share of keeping the planet below the dangerous level of global warming. Greta affirmed her stance with a withering Ted Talk in Stockholm that left nothing behind and earned an ovation from a huge audience.

She lit a fuse among young people around the world. And that fuse has brought the EU to institute further steps to reduce Climate Change in Europe. Thousands of students in Europe and over 1,000 cities world-wide joined her “FridaysForFuture” campaign. Her example came amidst very dangerous warnings about climate change. Thunberg remarked that “Change is on the horizon, but to see that change we also have to change.” Thunberg has Asperger’s syndrome. She cites her neuronal structures as providing her single pointed dedication to the issue of Climate Change. She quips, “I see the world kind of black-and-white. Either we go on as a civilization or we don’t.”

This unusual warrior for Climate Change, now 16 years old, deserves the active attention of every adult in the world. She has put out a call for students world-wide to leave their schools on Friday March 15 to “Strike for Climate,” bringing out the determination of young people to force the hand of political change. Her model for this was the Parkland School students in Florida, who walked out of school to protest gun violence. Greta holds the firm desire for global student strikes to be non-violent, with no hate and no damage. She insists that everyone become educated about the Paris Accords, respecting science and personally minimising their carbon footprint. She requests children to do their homework about Climate Change, because most adults have yet to do so.

“Youth Climate Change US” are mobilized to point the Strike right at resistant politicians, demanding that they decarbonize the US economy, and furthermore make legislative action to combat the effects of climate change. The registered Climate strikes are planned in over 90 countries around the planet. Young people see that their present and future on the planet are at stake and they are pulling in university students and women to strike with them.

British PM Theresa May asserted that the school strikes are “wasting lesson time.” Greta’s sharp response was, “Political leaders have wasted 30 years of inaction. And that is slightly worse..” Good bye Theresa May and your ilk! It is apropriate to ignore her, when over 3,000 climate scientists have given their full backing to the strikes. I feel strongly that the response globally to the March 15 strike will be beyond anything we have seen on our planet. Please do your part – Support and Help.

Great Review for Poetry

Another Great Review – OnlineBookClub.org

ORDER BOOK: http://ianprattis.com/PaintingWithWords.html

Painting with Words by Ian Prattis is a collection of poems written at different times throughout the writer’s life. This collection is divided into six parts each one with a different theme. Every part is unique and deeply emotional with an extraordinary aesthetic that I’ve never come across in poetry before.

I really enjoyed the variety of themes, feelings, and lessons I received by reading this book. The first part “Bittersweet” is, in my opinion, the most melancholic. It’s the dark side of the poet who seeks consolation in writing poems to overcome his frustration and sadness. Soon after that, our writer takes us to wonderful landscapes to calm our troubled souls. “Painting with words” is the second part, and it’s literally a series of beautiful images illustrated with words. This part is a great reminder of how beautiful our world is if we just stop and behold it for a while. My personal favorite part is “Speaking of True Love”. As a romantic soul myself, I couldn’t help but adore each and every poem in this part. I could clearly see the depths of the poet’s love for his wife since every poem of this part is inspired by her. She is obviously his muse, and they have a beautiful love story that makes every poem even more sentimental and meaningful. The other parts are “Agua Viva”, “Footsteps of Buddha”, and “Ancient Wisdom”. I won’t give more details of these ones as I want readers to discover for themselves the rest of this collection.

What I can say though, is that after you finish reading this book you’ll probably find yourselves knowing the poet like he is your old friend. Every part is a different piece of Prattis’ puzzled life. He made sure to share every emotion and experience he had with us, and I think that is really brave and beautiful.

Reading this book was definitely an emotional roller coaster. The first part almost made me cry, especially the poem “ The Old Mare”. Some poems will make you think and others will put a smile on your face without realizing it. I’m sure everyone would find a poem to his liking in this collection. Furthermore, what I really appreciated while I was reading this book, was that the author, before every part, wrote an introduction. In those introductions, he explains why he wrote each poem, what inspired him, and what he was trying to achieve by writing it. This is extremely helpful because many times I find myself devaluing a poem since I can’t understand what it means. I also got to know the mentality of the poet better. I also loved the fact that the book starts with a poem dedicated to a Muse. This used to be a custom back in Ancient Greece when poets and writers asked inspiration from the Muse of writing. As a Greek, I’m very honored that a foreign poet decided to do that as well.

Overall, it’s clear to see that I loved every minute of reading Painting with Words. There was nothing not to like in this collection of poems. I actually read it twice, and I’m planning on reading it many more times. Moreover, I was pleased to see that it was exceptionally well edited. Thus, I’m happily giving this book 4 out of 4 stars. For those of you who love poetry, you should definitely give it a try. However, please keep in mind that some of those poems have curse words and some are hard to understand, so I wouldn’t recommend this book to an underage audience. Last but not least, many of these poems represent a Buddhist lifestyle and interpretation, so if you are offended by that, you probably wouldn’t enjoy this collection.

******
Painting with Words 
View: on Bookshelves

Smash Hit for Poetry Volume

Five Star Review

Reviewed By Kathryn Bennett for Readers’ Favorite

Painting with Words, Poetry for a New Era by Ian Prattis is a collection of poems that is split into six parts, each part having its own distinct theme. This collection of poems takes the reader through the full gamut of human emotions. The author has masterfully used his own life experience to transport the reader through this journey, while striving to leave a mark directly on the reader’s heart. Take the spiritual journey with the author and you may find yourself on your own journey as well.

I have to be fully honest in saying I read this book three times before settling in to write this review. Each time I felt like I uncovered another layer with the collection of poems that I had missed the last time through. To me, there is something truly magical about a work that can do that. The poems within this book are clearly very personal and strike right at the heart of the journey the author himself has taken in life, and yet it also has an ability to resound with others. The title painting with words is truly a perfect description of this poetry collection; you can see the images come to life before your eyes as you read. It was truly a pleasure to be able to read this collection of poems and it has inspired me to look back on some poetry I used to write and perhaps to start doing so again. I would highly recommend this book to any reader who loves a journey and wants to find themselves mesmerized by the written word. 

ORDER BOOK: http://ianprattis.com/PaintingWithWords.html

5 Star Roll for “Painting With Words”

Another 5 Star Review of Painting with Words, Poetry for a New Era by Ian Prattis

 BOOK REVIEW

Five Stars 

 Reviewed By K.C. Finn for Readers’ Favorite

Painting With Words, Poetry for a New Era is a book of inspirational verses written and compiled by poet Ian Prattis. Shying away from the old fashioned traditions of symbolism and imagery, the work expresses an emotional outcry in a raw and direct form, creating powerful auditory moments to express the highs and lows of the human condition, as our author sees and experiences them. The work is separated into six themed sections, travelling through different moments in recent history as the author experiences them, reflects upon them, and reaches different emotional conclusions along his journey to full discovery. What results is a work which runs the full spectrum of emotional consideration, taking a singular, personal experience and reaching for the qualities which make it universal to all.

One of the things which I found unexpectedly delightful about this work was the strong and recurrent connection to nature that Ian Prattis strives for. Whilst many of the works pertain to some of humanity’s most unkind acts towards one another, unveiling the true greed and violence we are capable of as a species, others look beyond these base defects to consider the potential for good that we have if we can reconnect our spirits to nature. The poems are direct in address, but spiritual and philosophical in the message which they leave lingering afterwards. Overall, Painting With Words, Poetry for a New Era, presents an optimistic new viewpoint with a clear and engaging emotional progression of how it came to be.

 “Painting with Words, Poetry for a New Era” Order through: http://ianprattis.com/PaintingWithWords.html  To avoid shipping costs, Ottawa area friends can get a signed copy directly from the author –your purchase enables you to take home a prior book or Meditation CD home for FREE, as a special thank you.

 

5 STAR Review of “Painting with Words”

Painting with Words, Poetry for a New Era 

BOOK REVIEW

 5 Star – Reviewed By Romuald Dzemo for Readers’ Favorite                                                 

 Painting with Words, Poetry for a New Era by Ian Prattis is a collection of poems that are thematically arranged and that reflect the very soul of humanity, filled with imagery and rhythms that mimic the different seasons of the human soul. The poems in this collection bear witness to what readers feel, perhaps in the hushed hours of the day; emotions, thoughts, feelings, and realities for which they find no language. This poet succeeds in capturing moments of reality that allow readers to connect with the things he writes about. The voice is powerful, the poetic lines rhythmic, and the entire collection is filled with powerful imagery. I love the depth in Ian Prattis’ poetry and the beauty in the rhythm and the richness of its diction. For instance: “A week in the life/ of a poem/ has words racing to knowing’s edge.” Here is another: “Phrases creep / over the dawn of logic, / suspended, then gone.”

Painting with Words, Poetry for a New Era opens new portals into reality. It is highly imaginative and the author articulates brilliantly on a variety of themes, from denouncing the horrors of war, to celebrating the seemingly mundane moments of life, to capturing the relationship between humanity and nature. Each poem is unique, expressing a thought, a reality, a moment in existence in a succinct manner. Some of the poems are very personal while others are universal in nature. This collection is as delightful as it is meaningful. You will read these poems and find yourself going back to them.

“Painting with Words, Poetry for a New Era” Order through: http://ianprattis.com/PaintingWithWords.html  To avoid shipping costs, Ottawa area friends can get a signed copy directly from the author –your purchase enables you to take home a prior book or Meditation CD home for FREE, as a special thank you.