Prologue for New Planet, New World
My latest book, New Planet, New World, published by Manor House Publishing in Canada is now available. This work is the bookend of a trilogy and the publisher asked me to write a Prologue. A great suggestion as that provides continuity as well as shining light on three books rather than one. I offer it at $25 with an additional bonus for readers. If you buy a copy of New Planet, New World from me directly then I will give you the two prior books for free. Order through my website for this bonus http://ianprattis.com/NewPlanet.html
PROLOGUE: Chronicles of Awakening
Book One: Redemption
Book Two: Trailing Sky Six Feathers
Book Three: New Planet, New World
New Planet, New World is the final book of a trilogy. The first book Redemption was a lost manuscript, first written in 1975. I rediscovered this heartfelt book in 2011. The narrative was vivified with hindsight from my writer’s eye forty years later. The story is an allegory for life difficulties I experienced at that time. I was a real mess, yet despite my desperate state of mind this novel about Awakening emerged.
Redemption is set in The Hebrides, islands off the northwest coast of Scotland, with startling cycles of maturing and downfall of the epic character, Callum Mor. He was a gifted child, master mariner and derelict drunk, who eventually gains wisdom from a hard life’s journey. He enters the dark zone of alcoholism and withdraws from society. With only his animals keeping him this side of sanity, he survives in a bleak solitude. Laced with grim humor, the novel has nature’s harsh and beautiful rhapsody as the background for tragic human failings; violence, power, murder, rape and madness. The failings are ultimately topped by the triumph of the human spirit. A family with a young girl seeks refuge from a storm at his house and slowly Callum Mor steps away from self-destruction to an astonishing awareness that triumphs over his tragedies. He saves the girl’s life in a blizzard and the glimmer of awakening dawns in him to set the stage for the final drama that illustrates the resilience of the human spirit.
Redemption is a deeply moving tale of desolation, love, loss, transformation and hope. It reads like an extended prose poem reflecting the primal forces of nature and of human nature. Its starkly gorgeous and remote island setting creates and reinforces the central themes of struggle, family, community and wonder at the beauty of the world. The rich cast of characters offers numerous gripping interludes that brim with interpersonal drama. The story centers on and is always connected to Callum Mor, but he is surrounded and influenced by a fantastic cast of family and fellow islanders. They provide a deep well of material as their conflicts and intrigues move the plot forward and offer a vast array of powerfully emotional moments. The story arcs of other characters in the novel offer intriguing counterpoints to one another and to Callum Mor. Their hopes, desires and difficulties intermingle in a tumultuous tapestry of human existence.
The narrative tone is generally quiet and introspective, but it is frequently punctuated by storms both literal and metaphorical. Loaded with the symbolism often found in parables, Redemption alludes to more than what is openly stated. Every scene provides a striking visual clarity that mystically slips into the realm of timeless storytelling. All of this provokes the tapestry for deeper, more subtle messages of compassion and faith to carefully unfold. From the rhapsody of an idyllic childhood through traumatic tragedies to the derelict zone of alcoholism and then a state of awakening, I depict the stations of a personal Calvary that ultimately leads to Redemption.
Dr. Tom Hagen, his wife Sian and daughter Catriona comprise the family taking refuge at Callum Mor’s house. They are writ large in the final book. I place them in New Planet, New World in the near future of 2080. Dr. Hagen becomes the chef-de-mission of the International Space Agency mission to settle on a planet in a nearby galaxy. Tom, Sian and Catriona move from a minor key in Book One to a massive symphony in Book Three, as their characters fill New Planet, New World to the brim.
Book Two of the trilogy, Trailing Sky Six Feathers, is a Hero’s Journey as if Indiana Jones meets the Buddha with a dash of Celestine Prophecy. Shamanic healing of childhood sexual abuse, guru training and near death experience in an Indian ashram has this author stumbling through the first part of life, then standing strong in his own sovereignty in the latter part. Past life memories collide head on with the present, all thanks to the persistence of Trailing Sky, the Muse who refused to give up on me. Karma is reversed, the internal battles are over as the author begins to live life as a Meditation for Gaia. The relentless shadowing by this engaging Muse brings understanding not only to me, but to anyone engaged in overcoming the darkness of their past.
With a voice steeped in authentic experience, I navigate past and present lives over four centuries; from brutal raids on Indian settlements in 18th century Arizona, insane sea voyages off the Scottish Hebrides in the 20th century, to a decisive life moment of surrender to the Muse in the 21st century. These screenplay-worthy epic tales weave seamlessly to create inspiration for a wide range of fellow spiritual seekers. The genre is legend mixed with autobiography. Trailing Sky initiates a dream vision in 2008 that caps my slow process of remembering a clear mosaic of experiences stretching back in time over four centuries. Over a period of thirty years (1980 – 2010) four extraordinary mentors enhance this process of remembering for me, while Trailing Sky waits patiently from the distant past. I learn how to reconfigure my understanding of time, place, consciousness and Carl Jung’s psychology.
When I talk to folk about Book Two, the first question is usually, “Why did you write this book?” I reply, “Global Citizens are staring into the abyss yet instead of being eaten up by it all I say to you ‘Awaken Spiritually.’ That changes everything. We have made our world an unpredictable beast because we fail to work with it intelligently. Rumi’s wise words are cogent, ‘Sit down and be quiet. You are drunk and standing on the edge of the roof.’ We have to take back control of ourselves and this is a spiritual matter. Turning on the switch of awakening seems to be a good idea right now. We just need to touch the sacred in ordinary experiences of life to find the courage, skill and determination to transform. I wrote Trailing Sky Six Feathers to shed light on issues that will affect our world for generations to come. The example of my own challenging journey and personal transformation illuminates one path to inspire others to choose their way to expand consciousness and chart the course for a future beyond the abyss. The human race does not need to be stuck with maladaptive options and patterns. We can and must transform. The key to change this deep freeze is Awakening, a spiritual relationship with self and Mother Earth.”
Our industrial growth civilization is a system devouring itself, dislocating the organic structures of Mother Earth to the point that all species, not just our own, are at risk. It has taken us to a dangerous precipice. From there we stare into the abyss of climate change, ecosystem and financial collapse, ISIL, resource wars, cyberbullying, terrorism and anarchy.
The two main characters that open the book in 18th century Arizona are Trailing Sky Six Feathers and Eagle Speaker. When the reader encounters Trailing Sky Six Feathers, my Muse from the past, they encounter a powerful, relentless woman who transforms my life in reality in the 21st century, not in historical fiction. She has been described as one of the most powerful woman in modern Canadian literature. Eagle Speaker is her husband and also my transformation vehicle. He dies cradled in her arms in a medicine wheel in the year 1777. As he takes his last breath Trailing Sky whispers to him, “I will find you. I will find you.” She assures her daughter, Rising Moon, that she too will find him. Rising Moon has a minor role in Book Two, yet by transferring her to the new planet in the final book, New Planet, New World, I bring the 18th century to collide with the 21st century. Time, culture, space and consciousness are fused across centuries to create the final book of the trilogy.
New Planet, New World provides a counterpoint to the demise of modern civilization. I chart a Beginning Anew for humanity, a communal Hero’s Journey to reconstruct society based on ecology, caring and sharing, as power elites ignore their complicity in the destruction of life on Planet Earth. This adventure is not without risk or cost. The clash of centuries opens Chapter One with a lyrical and dangerous meeting on a distant planet later this century. The protagonists are from different centuries and cultures. From the 18th century Rising Moon is hurled by shamanic means to Planet Horizon in a nearby galaxy. From the 21st century Catriona gets there from a failing spaceship in an escape craft. Catriona is taken prisoner but fights back screaming, “I am not your enemy.” Instead of killing one another the two young women choose to be blood sisters and embrace survival, accepting nature as their Matriarch. This fragile thread is challenged by the brutal abduction and rape of a main character, Sian the Celtic seer. Her inner strength, of being more than a violated body, inspires the community of pioneers who escape safely from the damaged spaceship. They create a communal structure of living and carve out a home and presence on the new planet.
Four Hopi Sacred Keepers offer their lives in a ceremony to enable renewal on a distant planet that none of them will experience. Mysticism combines with hi-tech to enable a Transfer Particle to seed the new planet and establish settlements. The expansion of communities is interrupted by a jihadist attempt to take over. A terrorist cell on Earth hijacks a spaceship and imperils the lives of the pioneers, who respond with tactical violence to kill them. The stark violence of survival prepares a backcloth for three distinct love stories to emerge. Ethical settlements grow as a mirror for Tolstoy’s vision of “people of the twenty fifth century” – ahead of their time. The dark episodes and lyrical passages move the story along with action, fear, resolution, death, execution, rape, bravery and exile in a futuristic opportunity for humanity.
This action packed book of intertwining plotlines arc into the epiphany of the final chapter (Thirteen), which muses about human survival anywhere. This end game is a philosophy for the future. The inclusiveness of science combines with Tolstoy’s vision, Pope Francis’ Climate Change Encyclical and not repeating the mistakes of the carbon cabal. The underlying message is from Tolstoy, the ‘Conscience of Humanity.’ He described humanity’s bottom line as the cultivation of love, the mainspring for authentic and responsible living. I do not present this as idealism, rather as down to earth wisdom. That is why I wrote this futuristic novel that takes place in the near future. It is the final book of “Chronicles of Awakening.”
The reader now begins to anticipate and harken to the rip tides of this futuristic novel.