Acknowledgements for Trailing Sky Six Feathers

This book is ready to dance in the daylight. I offer thanks to the many hearts and minds that helped me complete this piece of writing. http://www.ianprattis.com/TrailingSky.html

In the summer of 2010 my friend Joseph Kennedy and his wife Helen offered their secluded cottage on a beautiful lake so I could begin the work on this manuscript. In the solitude a first draft about four centuries of my consciousness began to emerge. Their repeated kindness in providing the perfect locale to write is deeply appreciated. This book has been percolating in my mind for over two hundred and thirty years, yet how do I write about The Muse – Trailing Sky Six Feathers – my Native American wife and medicine woman in whose arms I died in 1777? She vows to find me in a future time, despite the overwhelming resistance from my intellectual mind to remember her.
All trace of me from the manuscript was removed for a while after that summer. Two years passed by. In the spring of 2012 I returned to the remote cottage and manuscript. I began to absorb what I had previously written and transmuted it to another level with copyediting advice from my wife Carolyn. Her contribution to the manuscript was immense as the collision of past life with present time impacted her as well as me. I had immense support and encouragement from many sources. The biggest impact on my “remembering” was Trailing Sky Six Feathers herself. Past life memories collided head on with my present life, all thanks to her persistence – the Muse who refused to give up. The relentless shadowing by this engaging Muse from the 18th century brought understanding not only to me, but to anyone striving to overcome the darkness of their past.

Driftwood

In the spring of 2013 the lure of a writer’s retreat in Sedona was irresistible. My companion writers arrived as strangers and we left as a tight knit family. Their talent and bravery to bring forward deeply personal issues in their writing impressed me. As did our day on the land with a gifted guide, Clint Frakes, which culminated in a medicine wheel ceremony that deeply affected every one of us. EagleSpirit, a contemporary shaman from New Brunswick in Canada, took photos of the medicine wheel after we had left it. She caught a light beam right in the middle of the medicine wheel, exactly where I had been standing. With her permission that photo adorns the cover of this book. Also on the front cover is a superimposed photo of a statue of Sacawajea sculpted by John Soderland. My humble thanks to both EagleSpirit and John for their gifts to this work. My niece Theresa Kelly and her partner Steve da Costa sculpted these two photos into the front cover for the book. I offer my appreciation of their skill and care.

Light Beam at the centre of the Medicine Wheel

I benefited enormously from my fellow writers who bared their souls in beautifully written and courageous prose. I could do no less. My thanks to Lydia Ramsey, Gary Finnan, Randy Webster, Daniella Panet-Raymond, Diana Howe-Richards, Krista Houstoun, Susan Mullen, Mary Beth Robinson, Dana Srebenick, Mary Enright-Olson, Darlene Simmonds, Lori Morrison Novoa, EagleSpirit, Pat Knauss, Charisse Webster, Pauleen Robertson and Arlene Dreste. The keen editing eyes of the brilliant facilitators – Lisa Fugard and Julie Colvin – led me to cut prose that I liked, but did not need. In the rewrite I introduced, where necessary, a harsh and somewhat ugly honesty that brought the missing edge to the adventure. Throughout the manuscript the footprint of Trailing Sky Six Feathers danced lightly. Though sometimes she needed heavy wooden clogs on her feet to kick my backside so I would fully wake up to her presence.
I also attended the fall writers retreat in Sedona with the same facilitators to create the final refinements to my book. It was a privilege to share excerpts from the work with gifted writers and facilitators. My personal journey through four centuries of consciousness seemed to strike a chord. That insignia continued once the retreat finished, as Carolyn joined me for a further week to explore the extraordinary terrain of Red Rock Country. Clint Frakes took us out on the land – walking in to Cathedral Rock from Red Rock Crossing at sunrise. We climbed a vertical cliff to a hidden space where Clint conducted a sacred ceremony for us in front of two soaring slabs of pictoglyphs – painted and carved. We left hours later, transformed and imbued with the reality of Traiing Sky Six Feathers. Walking the land evoked the latticework of vortex energy, challenging us to be the best we can. Later in the day, just before sunset, Clint provided an awesome medicine wheel experience for us. He had re-built this wheel many years ago and before we left this sacred place he took out a stone, the size of my hand, from the medicine wheel and gave it to me. A gift to call us home to the awakened self that has been sleeping. My debt to Clint and to the land of the Red Rock country is completely beyond words.

The integral person of my book – Trailing Sky Six Feathers – was everywhere. Nowhere so strong and beautiful as when Carolyn perused the Kopavi Gallery, just across the road from Tlaquepaque – Sedona’s most exotic market. In the Kopavi Gallery, Carolyn was shown an eagle feather pendant in 18K gold. It was intricately hand carved by John Coochywpten of the Hopi Tobacco Clan, a master goldsmith who blessed each of his pieces with prayer and ceremony before they went to market. The pendant was small, approximately one slim inch long. The foundation was a beautifully crafted eagle feather in gold. John Coochywpten placed a medicine wheel at the top of the feather and rested an eagle head with an all seeing diamond eye upon it. The two diamonds at the bottom of the feather depicted two travelers through time. The pendant had a simmering power to it that Carolyn felt deeply. She gasped with surprise the moment she saw it, as it was a symbolic reflection of this book and the modern day adventure she and I were exploring. This gold and diamond pendant spoke of Trailing Sky Six Feathers’ legacy to us.

Sacawajea

While Carolyn was upstairs in the Kopavi Gallery, I had been sitting outside on a wooden bench, taking in the sky, moving clouds, the sound of Oak Creek with traffic as a background hum. I was inadvertently ready for a sign, which came in a totally hilarious manner. I meditated and after a short internal dialog with Trailing Sky about my next steps, I opened my eyes. I saw a white utility van slowly approaching the round-about right in front of me. Emblazoned in bold, red capital letters on the side panel was the logo “YOU GOTTA DO IT!!” I laughed out loud at that and later wondered how Trailing Sky had managed such perfect timing. I went upstairs to join Carolyn in the Kopavi Gallery. She was telling the manager of the gallery the story of my book and why the Eagle Pendant had spoken so deeply to her. I could see how elated Carolyn was, with that secret smile she saves for rare occasions. And there was the talisman of Trailing Sky Six Feathers and Eagle Speaker in minute detail and provocative power. I looked at it for a long moment. Carolyn softly asked me if I saw and felt its resonance. There was no hesitation on my part. After all, I had just received the message “YOU GOTTA DO IT!!” Carolyn knew intuitively that the pendant symbolized my book and our 21st century adventure. We were glowing with confirmation.
Carolyn and I were forever changed by this gift. I offer homage to the Hopi goldsmith as John Coochywpten suffered a stroke after completing this incredible piece of art and lost the use of his right arm. This was the last piece he ever made. I can never thank him enough for creating the symbol that provided Carolyn and I with such startling confirmation.

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