Notes on Completing the Manuscript

The final brush strokes adorn Trailing Sky Six Feathers: One Man’s Journey with His Muse. My diary and scribbles about completing the manuscript provide a glimpse of the work. In 2014 the hard work begins – finding a publisher and agent to bring this memoir to life, so it can be shared.

 DCF 1.0

Carolyn and I journeyed by car to a secluded cottage on a beautiful Ontario lake in the summer of 2010 so I could at last begin the work on this manuscript. In the solitude gracefully offered, a first draft about four centuries of my consciousness began to emerge. How do I write about The Muse – Trailing Sky Six Feathers – my Native American wife and medicine woman in whose arms I died in 1777? That is what I was about to find out.  She vows to find me in a future time, despite the overwhelming resistance from my intellectual mind to remember her.

Past life memories collide head on with my present life, all thanks to the persistence of Trailing Sky Six Feathers, the Muse who refused to give up. The relentless shadowing by this engaging Muse from the 18th century brings understanding not only to me, but to anyone striving to overcome the darkness of their past. In 2010, after an intense internal dialogue with Trailing Sky Six Feathers, I asked if I should write her story. I heard her affirmation. This first mapping is to examine my notes and rough outlines of chapters to see if I am capable of writing this story. This book had been percolating in my mind for over two hundred and thirty years. No doubt it will simmer for a few years more. My time at this remote cottage was set within the discipline and compass of meditation. I kept a diary that may sound like a Star Date log.

March 2010

In the spring of 2010 the first line was written in the Zen room of my son’s house in Nanaimo:

“Put your weapons down, my husband,” Trailing Sky said quietly with steely insistence.

Then I scribbled a few chapters in longhand with my gold plated fountain pen. How archaic can one get?

August 2010

Secluded Cottage set on a high rock bluff overlooking the northern arm of a long lake.

Purpose: Completion of first draft of Trailing Sky Six Feathers

Friday, August 6, 2010

We arrived late in the evening at the cottage, which invited us in immediately. It was at the end of a long solitary lane and stood on a high rock bluff overlooking the lake. Mixed forest surrounded the laneway and sacred cedars formed an amphitheater of trees to the north of the building. A dock for canoes sat quietly bobbing by the lakeshore.

Moksha, our goofy six year old standard poodle, demonstrated that she is growing up at last. Most dogs are mature by then, but Moksha prefers to remain a puppy for as long as she can. Moksha is Sanskrit for “Liberation,” an appropriate name for a dharma dog.  But in her first six years of being a wrecking ball “Tsunami” would be a better descriptor. Perhaps she is growing into her true name, as she behaved beautifully in the woods and by the lake. She came when called and would constantly check in to see that we were OK while she patrolled her new territory. After unloading the car and meditating by the lakeshore, we placed our bed on the screened deck overlooking the lake. We listened to the night sounds – the soft call of the loons and the occasional hoot from a long eared owl before sleeping deeply. Moksha detected other beings with various woofs and growls – to no avail – as they, and we, totally ignored her.

Saturday, August 7, 2010

Carolyn noticed the previous evening that I had entered a “zone” of concentration – a natural unfolding into the stretching tendrils of meditation practice. It aided my first documentation of memories that constitute this book. We woke up to the early morning dancing light sweeping across the screened in deck. Moksha was still snoozing at the foot of our bed, dreaming of all the rabbits and ducks she would chase that day. Moksha had her usual breakfast – half of whatever I was eating, usually sharing a slice of toast with cheese and jam on it.

Working meditation brought attention to cottage chores, food preparation for the day while tuning in to Mother Nature. She was in splendor.  Lazy flights of mergansers were chased away by blue jays. A slow moving porcupine was having breakfast in a tall alder tree, ignoring the squirrels who scurried quickly by. No sign of the loons who had serenaded us to sleep, but several downy woodpeckers were busy hammering insects and grubs from the bark of the surrounding trees. Then Qi-Gong exercises on the outside deck. Three sets of this ancient Chinese system of health care: first set to warm up, second to balance the body and mind and a final set to boost the immune system.  Walking meditation with Moksha with compulsory frisby throwing for her swift pursuit. This continued until one mighty throw from Carolyn saw the green frisby curl slowly over an inlet and plop into a marsh – beyond recovery.

Manuscript meditation. I focused on the rough outline of the final chapter: The Circle Closes. I recalled to mind the insanity of sea voyages in my small clinkered boat off the Hebridean Islands, jagged emeralds in the North Atlantic. I also remembered the difficulties and suffering in my life at that time some forty years ago. It was a miracle I was still alive. I shook my head in disbelief at some of the memories, as I did not possess the skills or knowledge to navigate through storm laden seas. Nor did I like my graceless oblivion of sliding into alcohol and depression. Such mental dwelling was abruptly interrupted by the joyful arrival of my friends Joe and Helen to spend an afternoon with us at their cottage.  I discussed the book with Joe – he had seen an overview and was enthusiastic about my work.  Talking to him about the work remaining helped to clarify matters in my own mind.  We toasted their recent wedding – a lovely union for their latter days in life. Carolyn prepared a wonderful dinner and played her Celtic harp afterwards.  A meditation in itself. Joe and Helen returned to Ottawa after supper – leaving us with all kinds of goodies to eat and drink.

I had the cleaning up chores as Carolyn had cooked. While washing up the dishes I talked to her about the last chapter, with a number of questions in my mind. Once the chores were done, I settled down to rework the notes for the final chapter from the hard copy that had Carolyn’s comments and suggestions. I had my “mini-mee” computer with me.   All the files I needed for the book were on a memory stick. The joys and benefits of modern technology were now in the hands of a techno-peasant.

Sunday, August 8, 2010

Wake up and rise at 6.00 a.m. Coffee and Silence. Deep appreciation for breakfast. You already know what Moksha had. I would test her with melon, oranges and other foods she did not like. But at breakfast time it was always half of whatever I was eating. Without fail. While Carolyn attended to the chores and her own harp practice I began work on the manuscript. It was lovely to listen to her playing the harp while I concentrated. On the screened in deck overlooking the lake from high on the rock bluff, I set up a small table and a comfortable chair. I plugged in my computer and slipped the memory stick into its socket. From this vantage point I could enjoy the vista of lake, rock and harp during respites from writing. The last was first. I carefully pulled together the notes for Chapter Six: The Circle Closes, not realizing then that I would later split it into two chapters. This dissection of words was eventually applied to Chapter Four: Remembering and to Chapter Five: Healing and Transformation.  Then to the beginning – Chapter One: The Raid – set in 18th century Arizona before contact between indigenous communities and the Spanish and Americans. The opening chapter never fails to move me deeply, though there were clumsy passages that I rewrote.

Carolyn’s voice gently called, “Lunch is ready.” I had no sense of time. Lunch was followed by walking meditation with Moksha. It sounds better to translate the Sanskrit to English to make it: “Walking Meditation with Liberation!”  Only this time without her green frisby sunk into the marsh. Before returning to the manuscript I did Qi-Gong exercises on the outside deck – three sets.

Manuscript meditation. I progressed steadily with editing the draft files of Chapter Two: Renewal and Chapter Four: Remembering. I knew Chapter Four would be difficult – and it was, as this was the transition between time frames. Carolyn brought my supper out to me as she could see how engrossed I was in this task.

Torrential downpour ensued – almost like a monsoon. Carolyn had packed her harp and other gear, as she had to return to Ottawa for work next day. She took Moksha with her, as I would likely forget about the dog’s needs. As the rain intensified I wondered if she would get out of here before morning. But the downpour relented. I found some rain slickers in one of Joe’s cupboards and quickly packed up the car and Moksha. After a hug and lingering kiss – Carolyn waved goodbye and drove away to Ottawa. She would be back to pick me up on Tuesday evening.

The silence in the cottage was palpable, yet full of resonance. I had moved my computer and documents inside to protect them from the incessant rain. On Joe’s CD player there was a disc of Pine Gate Meditations that Carolyn and I created some years ago. I relaxed for a while with the sound of Carolyn singing chants and my voice speaking the meditations. I enjoyed our creation. But there was another creation that was crying out for my attention. Hours later I released a contented sigh. I came to the end of the first review of the notes and scribbles for the manuscript. I was tired but satisfied. I knew I would have to return to Chapter Six: The Circle Closes and especially to the chapter on Remembering, as that is the pivotal cog of the book. Plus some attention to the discussion of Jung, as my views on his work have changed. A decision had to be made about the title of the book. It was not until three years later that I hit the right button with Trailing Sky Six Feathers: One Man’s Journey with His Muse.

Monday, August 9, 2010

I had slept in! I smiled at that. No early morning coffee from Carolyn’s gentle hands. The weather had calmed, though it was still overcast. The lake was still. The screened deck would need a mopping up so it could dry out and make way for my writing table. Breakfast, coffee and toast in delightful silence. Deep Appreciation. Once I was dressed, my thoughts were at a temporary rest as I took on the task of weeding the stone patio outside the cottage. I think the stones had received little or no attention for forty years, so I was happy to weed it little by little and let my mind be still. I weeded and pulled up invading shrubs, noticing the generations of bugs that had been there. Quite a meditation of sorts as the stones had soaked up the history of the place and they were walking me through it as I patiently pulled up weeds for the compost.

The hot water was not working, so I made a few trips to the lake with large buckets. I decided to leave all the day’s dishes in the sink until evening and wash them up in one go. I needed a shower, though there was nobody around to smell me. I filled the large iron pot on the wood stove. The luxury of warm water using the bucket and rinse method I had last experienced in India was sweet. Two great blue herons flew stately past while I was fetching water. They are always a good omen for me. Very few boats on the lake this morning – indicating the weekend is over. But not for me. While the bathing water was heating up, I cleaned the deck and took the compost out and completed the few cottage chores that were essential. I thought a clean fresh Ian may be a good presentation to the manuscript. Two blue jays in the tall cedar in front of the cottage squawked in agreement.

After the delicious bath that took me back to fond memories of India, a clean, non-smelly me worked on the final chapter. I noticed with surprise that it was now noon. I decided to complete this review before making a simple lunch of cheese and homemade bread. The edit and re-write of The Circle Closes took longer than anticipated. As I got up from typing, another great blue heron flew lazily past. Time to relax, for a little while anyway, before the re-write of a section in the Remembering chapter.  This key chapter provides the transition from 18th century Arizona to present day Canada. How can I best sculpt the transition between time frames and the shamanic training that made it possible? Three years later – I had the inspiration to begin the chapter with a description of one of my shamanic journeys. This was the ideal transition vehicle across four centuries. It offered an elegant bridge between time frames.

I had my simple lunch and coffee on the wooden chairs placed on the outside deck. The weather beaten planks tell the story of who has walked here – human, animal and insect life forms. I enjoyed my lunch of cheese, bread with grapes and cherries, even finding a chocolate bar that was sheer heaven. Carolyn had left me with such  delicious supplies and surprises. She knew I was basically a twelve year old at heart! Since she left for Ottawa I realized that I had not moved from the environs of the cottage or the screened in deck where I am writing. The solitude is exquisite. Perhaps magnified by my occupying a zone of concentration to complete a preliminary draft. This is more and more a descriptor of my everyday life. It is not so much the place I occupy but the internal place that occupies me.

With the dishes conveniently piled in the sink, attention is once again on the chapter about Remembering, with further alterations to be made to the opening chapter. After which I did a long and slow series of qi-gong sets. The Remembering chapter is the one I keep coming back to – over and over again. Thunder Beings are announcing their presence – sounding like not so distant drums. Very big drums. I always welcome the Thunder Beings for the pouring rain and lightning they bring. There is acknowledgement with their presence. The rewrites in Chapter Four and Chapter One are  complete, for now anyways. Time for qi-gong, though it has become very hot. Better wear my headband and remove my shirt. Definitely a call for a later swim in the lake.

Indeed, swimming in the lake to the accompaniment of loon calls was delicious. I swam out from the small dock below the rock bluff and then floated on my back looking up at the sky. I saw the dark clouds racing in as the wind picked up. Thunder still ominous in the background. The lightning could surely not be far behind. I swam quickly back to the dock – much faster than the outward journey – and waited for the lightning to strike. Five minutes later it flickered across the horizon, behind the island right across from the cottage. I took a photograph in a pause between lightning flashes and captured six vertical plumes that looked just like feathers. My Muse was checking in, along with the Thunder Beings.

Sacawajea

I noticed it was 9.00 p.m. How did it get to be this time? My tiny computer is getting hot – it needs a rest and so do I.  Thankfully Carolyn had prepared vegetarian lasagna for tonight’s supper, so my culinary skills, which are close to zero, will not be challenged. The threatening weather seems to have passed, leaving behind a haze for the waning sun to poke through as the overcast sky lifts a little. Now that I have stopped working on the manuscript, I realize just how tired I am. This evening is a respite, as I warm up the lasagna. There is still some bean salad left and a very large piece of rhubarb and apple crumble. Perfect. In the far distance the sound of a train can be heard, stretching its long haul across Ontario. The loons must have been alarmed by the lightning strikes. I can still hear their distress cries. It makes for a marvelous symphony as the delicate drops of rain from the trees patter gently on the roof of the deck. Tonight I partake only of this symphony composed by Mother Nature and the train. The remaining work on the book can await morning light. Ha! – the timer has gone on the oven for the lasagna! I look forward to my late supper.

Tuesday, August 10, 2010

Rising early I had such deep appreciation for bird song. There is nothing sweeter than a hedge sparrow’s lilting tones to bring in the new day.  Lying in my bed on the deck I glance at the first light appearing through the cedars, driven by a gentle wind rippling the lake to shore. I listen in to the morning calls of the small birds, the chatter of squirrels and the distant drone of an outboard motor. Then breakfast.  Aaaah – that first sip of good black coffee. Toast, black current jam and cheese, which I miss sharing with Moksha. I decided that after qi-gong – a moving meditation for me – I would clean Joe’s cottage and finish weeding the stone patio. I like to leave my temporary home more beautiful than when I found it. No trace. Slow, abundant qi-gong this morning. The movements are very full as I co-ordinate them with in-breaths and out-breaths.  Feels as though the movements are pregnant. A new vibrancy, perhaps reminding me that this beginning sojourn is settling in. I was tempted to do the qi-gong sets all over again.  I refrained – the dishes in the sink and the bathroom were calling for a thorough clean. I keep hearing the call of an osprey though have yet to see this beautiful creature.

I started the cleaning in the kitchen. Bagging the garbage to transport home. Cleaning out the compost bin, as ants just love to find remnants. Soon the kitchen is sparkling. I moved on to the bathroom to take the shine there. A thorough vacuum and sweeping of bedrooms – even the ones not used. Joe’s cottage began to take on a pleasant hum. A small token of my gratitude for the time here to complete the beginning of this work. The cottage and deck is fair sparkling from the cleanup. A slow moving skunk walked past while I was cleaning the small carpets outside. He stopped, looked at me and dismissed me, before ambling on. I wondered what he was doing out at this time of day, as skunks are mostly nocturnal creatures. I know that when Carolyn arrives later today, the first thing she will do is inspect the bathroom. If I am lucky I may get a passing grade. Looking forward now to that second cup of coffee and a large mango that I will slice up. Weeding is over and done. I think Joe will be astonished at the appearance of the stone patio, released from the grip of weeds and brush. It is cool today with another overcast sky. Just a surface ripple on the lake at present, from a breath of wind. I set up my computer and chair on the glorious screened deck and resume concentration on the manuscript. Complete solitude.

I must applaud the splendid outhouse here, which I much prefer to the toilet in the bathroom. Sturdily built with a comfortable seat, with nobody around the door to the outhouse can be left wide open. What an incredible view while going about one’s business. Resumed work on the book. This piece of writing is an unfinished symphony for me. All my books – including the university texts – are about different facets of consciousness. This book stretches the boundary further and may cast a light of understanding on everything else I have written and done in life.

Completed the refinements necessary for this stage of creation. It was very hot – even on the shaded deck. I placed a mattress on top of the wood box on the deck and rested there for the next few hours, very content with the initial progress made on the manuscript.  I knew I would make further edits on arriving home – with attention to details of formatting, paragraph length and so on, but felt that the first stage of mapping was done.  One step at a time – there is no rush with this piece of work. I estimated that Carolyn would get here around 6:00 p.m. so left sufficient time to clear the cottage of my belongings.  I did this just before she arrived with Moksha.  I was sitting on a rock admiring the shoreline when I heard the unmistakable sound of our Volkswagen’s diesel engine. And there she was with Moksha – both delighted to see me.  On inspecting the cleanup, Carolyn did give me a passing grade on the bathroom. The convection effect of the day’s heat was at work as we drove home through a severe downpour. Removing all trace.

Spring 2012

It was also the removal of “all trace” of me from the manuscript for a while.  I knew this first draft had to sit until it felt just right to return to it. Two years passed by. In the spring of 2012 I returned to the manuscript, which has its own time about when it will be told.  I began to absorb what I had previously written and transmuted it to another level. This is a process I have learned to respect, as this memoir will not be completed on my timetable. Trailing Sky Six Feathers will dance in the daylight when she sees fit. She is The Muse, after all! The 2010 work was simply an initial template that I was laying out. In 2012, I could see a distinct lack of elegance in chapters that were too long. Three of them were easily chopped in half, turning the book of six chapters into nine chapters. Nine feels much better.

Canadian Thanksgiving October 2012

The threads were picked up again in the fall of 2012. An invitation from my generous friend Joe once again made his cottage available to us for Canadian Thanksgiving. The fall was in its later stages of brilliant foliage, as the trees prepared for winter’s embrace. But not before we got to enjoy their startling colors of bright gold, shimmering red and amber. The leaves were breathtaking all the way into the lake. Moksha could hardly wait to get out of the car and gallop all over the terrain, revisiting what she remembered. Carolyn and I unloaded the car while Moksha ran like a swift stream flowing down a mountainside, checking in every so often to see that we were still around. Then she would dash off to seek phantom bunnies and errant squirrels.

Carolyn once more had her travelling Celtic harp. Normally I would be impatient to get the job done, but I know this book has its own rhythm. Nightfall came quickly as we sat on Joe’s new deck. We wrapped up warmly as it was a cold October evening. Watching the sunset take its time until the first loon call ushered us inside. Carolyn’s harp was set up, tuned and played gracefully – hauntingly beautiful – as is Carolyn for me. Her concentration at the harp helped my concentration on two particular chapters.

I expanded the book from six to nine chapters and restructured it into three parts:

Part One: The Muse – with three chapters locked into 18th century Arizona;

Part Two: The Man – four chapters that map the transition to my life in present time, charting my healing, transformation, and radical compass change;

Part Three: The Unity – has two chapters that bring the Muse, me and Consciousness full circle.

The two chapters I focused on intensely were Remembering and Transformation. Carolyn and I discussed them during our car rides for daily lunches. Lunchtime was my turn to prepare food and so I conspired with Carolyn to drive each day to the Fall River Restaurant nearby, where my sous-chefs were waiting! I would read out loud while Carolyn drove and I noted her comments about language and emphasis.

We had both forgotten our watches, so we depended on Carolyn’s iphone for time whenever it felt necessary, which was rare. We actually woke up at 5.00am on the first morning, made a coffee and immediately went back to bed once we recognized how early it was. The rain was steady, drumming on the roof of the cottage with a rhythm of soft percussion. The second coffee with dark chocolate and toast was the prelude to work. Carolyn tuned and played her harp while I turned my attention to the chapter on Transformation. I had to somehow show that all the inner work, suffering and travail had led somewhere. This meant weaving in my 21st century activism for planetary care, peace and social justice and show how it relates to my intensive spiritual journey. These different threads were all of one tapestry. I just had to create the words to weave it together. This is where Carolyn’s clarity was so helpful. She would note where I was getting too academic or preachy and so pages written were reluctantly relegated to feed the fire.

So engrossed did our conversations become that we succeeded in getting totally lost one day on the drive to the nearby restaurant. We saw a lot of surrounding countryside that we had no intention of travelling through, yet enjoyed the sunshine playing with the fall colors on the trees and hedgerows. We continued to discuss the rewritten chapters. Moksha enjoyed many walks, though had to slow down a bit for me. I had torn my right calf muscle quite severely several weeks earlier and was still in recovery. Moksha patiently observed my daily leg exercises but did insist on placing her new frisby at my feet for many a throw.

Both evenings I built up a good fire to keep the cottage warm. The flames and crackle of the logs allowed things to simmer with the chapters I was re-sculpting. No-one else was on the lake at this time of year, yet time flew instead of slowing down. Meditative silence, qi-gong exercises, car rides, plus deep concentration on writing and Celtic harp filled each day. In the evenings Moksha snored on her cushion placed right in front of the fireplace, obviously worn out from her walks and uninhibited freedom.

I released a breath of accomplishment with the final cup of tea late on Saturday evening. Before sleeping I heard the last cascade of Carolyn’s harp. The next morning the sun had come out, but the temperature had dropped radically. We wore all of our clothes in multiple layers to stay warm. After breakfast and cleaning up Joe’s cottage, I paid my honorary visit to the most splendid outhouse in the county. Door wide open with Moksha playing in front, the dazzle of a cold pre-winter day reflected in the lake. We enjoyed the drive to once again applaud our sous-chefs at the Fall River Restaurant before heading home to Ottawa.

Sedona, Arizona, Spring 2013

In the spring of 2013 the lure of a writer’s retreat in Sedona was irresistible. My companion writers arrived as strangers and we left as a tight knit family. Their talent and bravery to bring forward deeply personal issues in their writing impressed me. As did our day together on the land with a gifted guide, culminating in a medicine wheel ceremony that deeply affected every one of us. For me, that ceremony was a confirmation for both my journey and this book. On returning home to Ottawa with my revisions, experiences and copious notes – I did a major overhaul of the entire manuscript. I deleted text, rewrote entire chapters and my writing took on the incisive depth that I had felt was missing. I added a chapter that demonstrated what all the pain, suffering and inner work had led to.

I benefited from my fellow writers who bared their souls in beautifully written and courageous prose. I could do no less. The keen editing eyes of the brilliant facilitators – Lisa Fugard and Julie Colvin – led me to cut prose that I liked, but did not need for the story. In the rewrite I introduced, where necessary, a harsh and somewhat ugly honesty that brought the missing edge to the adventure. Throughout the manuscript the footprint of Trailing Sky Six Feathers dances lightly. Though sometimes she needed heavy wooden clogs on her feet to kick my backside so I would wake up to her presence.

Sedona, Arizona, Fall 2013 – Confirmation

I also attended the fall writers retreat in Sedona to create the final refinements to my book. It was a privilege to share excerpts from the work with gifted writers and facilitators. My personal journey through four centuries of consciousness seemed to strike a chord. That insignia continued once the retreat finished, as Carolyn joined me for a further week to explore the extraordinary terrain of Red Rock Country.  A gifted guide, Clint Frakes, takes us to Cathedral Rock – walking in from Red Rock Crossing. We climbed a vertical cliff to a hidden space where a sacred ceremony was conducted for us in front of two soaring slabs of pictoglyphs – painted and carved. Clint gathered red rock dust from that sacred location and placed it in a container for Carolyn to take home. Lest we forget. We leave hours later – transformed. We are windswept at Rachel’s Point and Mystic – they provide a timeless vista to all Universal directions.  Boynton Canyon with the guardian Kachina Woman brings the goddess energy to us both. Walking the land evoked the latticework of vortex energy, challenging us to be the best we can. Clint takes us through an awesome medicine wheel experience. He had re-built this wheel many years ago and before we left this sacred place he took out a stone, the size of my hand, from the medicine wheel and gave it to us to take home to Canada. Gifts to call us home to the awakened self that has been sleeping.

Rachel's Point 2 (2)

The integral person of my book – Trailing Sky Six Feathers – was everywhere. Nowhere so strong and beautiful as on our final day in Sedona, when Carolyn perused the Kopavi Gallery, just across the road from Tlaquepaque – Sedona’s most exotic market. In the Kopavi Gallery, Carolyn was shown an eagle feather pendant in 18K gold. It was intricately hand carved by John Coochywpten of the Hopi Tobacco Clan, a master goldsmith who blessed each of his pieces with prayer and ceremony before they went to market. The pendant was small, approximately one slim inch long. The foundation was a beautifully crafted eagle feather in gold. John Coochywpten placed a medicine wheel at the top of the feather and rested an eagle head with an all seeing diamond eye upon it. The two diamonds at the bottom of the feather depicted two travelers through time. The pendant had a simmering power to it that Carolyn felt deeply. She gasped with surprise the moment she saw it, as it was a symbolic reflection of the book I was writing and the modern day adventure she and I were exploring. She told me later that she had meditated the night before during which she asked for a sign that confirmed our adventure through four centuries. This pendant spoke of Trailing Sky Six Feathers’ legacy to the two modern day adventurers in a manner beyond speaking. We are forever changed by this gift.

While Carolyn was upstairs in the Kopavi Gallery, I had been sitting outside on a wooden bench, taking in the sky, moving clouds, the sound of Oak Creek with traffic as a background hum. I was inadvertently ready for a sign, which came in a totally hilarious manner. I meditated and after a short internal dialog with Trailing Sky about my next steps, I opened my eyes. I saw a white utility van slowly approaching the round-about right in front of me. Emblazoned in bold, red capital letters on the side panel was the logo “YOU GOTTA DO IT!!” I laughed out loud at that and later wondered how Trailing Sky had managed such perfect timing. I went upstairs to join Carolyn in the Kopavi Gallery. She was telling the manager of the gallery the story of my book and why the Eagle Pendant had spoken so deeply to her. Both women looked at me as I entered the door. I could see how elated Carolyn was, with that secret smile she saves for rare occasions.

She said she had something to show me. And there was the talisman of Trailing Sky Six Feathers and Eagle Speaker in minute detail and provocative power. I looked at it for a long moment. I felt what Carolyn had experienced when she first saw it. She softly asked me if I saw and felt its resonance. There was no hesitation on my part. After all, I had just received the message “YOU GOTTA DO IT!!” Carolyn was seeking a confirmation about the pendant that so symbolized my book and our 21st century adventure. She did not expect me to buy it for her, yet I simply trusted the logo on the white utility van. I told the manager of the gallery the story of how Trailing Sky received her full name.  She got goose bumps all over. I was almost in tears as I spoke the story to her. Afterwards, Carolyn and I walked over to Rene’s – the finest dining place at the exotic Tlaquepaque. This upscale Parisian style café celebrated the two of us.

We were glowing with confirmation.

 

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